This article argues that old men and aging raised a central problem for Charles Dickens’s literary project: the novel’s difficulty of representing temporal continuity over long spans of time. For the old man, the meaningful plots of the nineteenth century—such as the bildungsroman or the marriage plot—are behind him. By examining three of Dic…[Read more]

This article argues that Elizabeth Gaskell’s Cranford (1853)—both the fictional place and the novel—cannibalizes the temporalities of other literary genres, such as the story and the newspaper, as a way of preserving a way of life under the double threat of patriarchy and modernization. I use the concatenation of temporalities in Cranford to bring…[Read more]

This essay considers the connections between myth and sympathy in Keats’s poetic theory and practice. It argues that the ‘Ode to Psyche’ exemplifies the way in which Keats uses mythological narrative, and the related trope of apostrophe, to promote a restrained form of sympathy, which preserves an objectifying distance between the poet and the f…[Read more]

This essay examines the representation of science in Jane Austen’s unfinished novel Sanditon. It argues that this text, written in the months before Austen’s death in 1817, points to a development in her understanding of the novel, one that associates the form with the emerging scientific disciplines of the early nineteenth century through its emp…[Read more]

Victorian Poetry 52 (2014), 185-203

Tennyson Research Bulletin 9 (2011), 454-462

Victorian Poetry 47 (2009), 61-80

An overview of proposed categories for the growing graphic medicine genre of cancer comics (i.e. cancer narratives in comic book form) and an initial theory on the significant linkage between this illness and particular medium.

This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines…[Read more]

This collection of scholarly essays offers a new understanding of local and global myths that have been constructed around Shakespeare in theatre, cinema, and television from the nineteenth century to the present. Drawing on a definition of myth as a powerful ideological narrative, Local and Global Myths in Shakespearean Performance examines…[Read more]

An examination of the cyborg potential of wearable technology as located in dress-body-technology assemblages and a call for public humanities work, such as Fashioning Circuits, that extends the Quantified Self to think instead about the Quantified Other or the Quantified Self-in-kinship.

Review of English Studies 67 (2016), 1011-12

Review of English Studies 66 (2015), 1001-3

Annals of Science 74 (2017), 335-6

Tennyson Research Bulletin 9 (2009), 233-47

Elizabeth Barrett Browning’s Aurora Leigh seeks to redress the divisive work of women’s democratic political representation by way of poetic form to ask whether women must always be regarded as partial citizens. Women are not counted as integral units—ones—politically or culturally. Barrett Browning connects women’s ability to produce writing a…[Read more]

The link between asimovian universe and Sherlock Holmes

The late Victorian era was imbued with progressive scientific reform and palpable anxiety regarding the future of the British empire. These two topics may seem distinct, but they find mutual expression in Bram Stoker’s 1897 novel Dracula, in which the soulless Count travels from Transylvania (literally, “beyond the forest”) and invades Engla…[Read more]

‘Dirt’ and ‘Trash’ in Shakespeare’s _Romeo and Juliet_:
Update on the rhetoric of social stratification in R&J…

Gloria McMillan June 21, 2018

Shakespeare in early modern period of English culture demonstrates how modern exogamy (voluntarily marrying outside your group) rattles the social stratification structure in modern western societi…[Read more]