Publications
Co-editor (2018–present):
The Hare:
An Online Journal of Untimely Reviews in Early Modern Theater,
http://thehareonline.com/
“Brexit, Shylock, and Urban Citizenship.” In
Brexit and Early Modern Drama, edited by Scott
Oldenburg and Matteo Pangallo. University of Alabama,
forthcoming.
“Is
The Merchant of Venice Critical for Prison Education?” In
Carceral Shakespeare, edited by
Elizbeth Fox and Gina Hausknecht,
under review with Routledge Press.
“‘Ye Pay All Alike:’ The Vice of Collecting Money in
Mankind.” In
Money and Magic in Early
Modern Drama, edited by David Hawkes. New York: The Arden Shakespeare, 2022.
“Shakespeare’s
Henry V and the Ciphers of History,”
SEL: Studies in English Literature, Spring 2021.
“The Comic Structure of the Globe: History, Direct Address, and the Representation of Laughter in a Reconstructed Playhouse.”
Shakespeare Bulletin, vol. 31 no. 3, 2013, pp. 375-403.
Caldwell, W. C. & Kenny, A. “The Reconstructed Dramaturg.”
Theatre Topics, vol. 24 no. 1, 2014, pp. 11-23