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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Speculative and Science Fiction on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Environmental Humanities on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Cultural Studies on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Speculative and Science Fiction on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Environmental Humanities on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Cultural Studies on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction on Humanities Commons 2 years, 7 months ago
In lieu of an abstract, here is the beginning of the article…
One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe on Humanities Commons 2 years, 7 months ago
This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Jeroen Sondervan deposited SPARC Europe Webinar: “Equity and Diversity in Open Access. National and Regional OA Publishing Platforms” on Humanities Commons 2 years, 7 months ago
On February the 4th and 5th, 2022, the Paris Open Science Conference (OSEC) took place in the context of the French Presidency of the European Union. On day one of the conference, an entire session was organised on the ‘future of academic publishing’. In this session, many speakers raised awareness for the need for diamond open access (i.e., fre…[Read more]
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Janneke Adema uploaded the file: Dissapropriation chapter Rivera Garza to
Commoning the Means of Knowledge Production on Humanities Commons 2 years, 9 months agoGarza, Cristina Rivera (2020). The Restless Dead: Necrowriting and Disappropriation.
Tennessee: Vanderbilt University Press, 2020.
From the chapter on Disappropriation – Writing with and for the Dead, we will read and discuss from page 52 (Disappropriation:A poetics of community) until page 56 (first paragraph, ending with “how the community w…[Read more] -
Janneke Adema uploaded the file: Introduction Rivera Garza to
Commoning the Means of Knowledge Production on Humanities Commons 2 years, 9 months agoGarza, Cristina Rivera (2020). The Restless Dead: Necrowriting and Disappropriation.
Tennessee: Vanderbilt University Press, 2020.
From the Introduction, we will read and discuss from last paragraph on page 3 (“Writing against the status quo”) until page 7 (first paragraph ending:”of what occurs.”) (pp 0-20) -
Kathleen Fitzpatrick deposited Into the Fediverse: An Opportunity for Academics to Reclaim the Public Sphere in the group
Global Digital Humanities Symposium on Humanities Commons 2 years, 9 months agoWith the brazen privatization, if not pending chaotic collapse of Twitter, millions of people are looking for alternative spaces to share their work, thoughts, and ill-conceived memes. Among the many digital migrants are a significant number of academics who looking for guidance, and familiar faces, as they try to make sense of the many new…[Read more]
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Kathleen Fitzpatrick deposited Into the Fediverse: An Opportunity for Academics to Reclaim the Public Sphere on Humanities Commons 2 years, 9 months ago
With the brazen privatization, if not pending chaotic collapse of Twitter, millions of people are looking for alternative spaces to share their work, thoughts, and ill-conceived memes. Among the many digital migrants are a significant number of academics who looking for guidance, and familiar faces, as they try to make sense of the many new…[Read more]
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Janneke Adema uploaded the file: Ken Chen, ‘Authenticity Obsession, or Conceptualism as Minstrel Show’, Asian American Writers’ Workshop, 11 June 2015 to
Commoning the Means of Knowledge Production on Humanities Commons 2 years, 10 months agoStarting from Kenneth Goldsmiths’ appropriation of the autopsy of police-murdered Michael Brown as a piece of conceptual poetry, Ken Chen asks challenging questions about the way this incident was not an accident.
From reading this text, we understood that an anti-colonial, feminist practice of Open Content would need to formulate “a politics of a…[Read more] -
Kathleen Fitzpatrick's profile was updated on Humanities Commons 2 years, 10 months ago
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Tom Mosterd replied to the topic Job ads section for OA books in the discussion
Open Access Books Network on Humanities Commons 2 years, 10 months agoHi everyone, we have a new vacancy at the DOAB & OAPEN for the role of Community Manager, responsible for the development of and engagement with our library community. This is a full-time position. OAPEN and DOAB have their offices in The Hague in the Netherlands, but the position is open to working remotely.
Application deadline by March 31st.…[Read more]
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Patrick Hart's profile was updated on Humanities Commons 2 years, 11 months ago
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Janneke Adema uploaded the file: Extinction Internet – Geert Lovink to
Commoning the Means of Knowledge Production on Humanities Commons 3 years agoExtinction Internet is Geert Lovink’s inaugural lecture, held on November 18, 2022 as Professor of Art and Network Cultures, within Modern and Contemporary Art History, Faculty of Humanities, University of Amsterdam.
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