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Stuart Lenig's profile was updated on Humanities Commons 8 years ago
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Nick Obourn replied to the topic Distinguished Artist Interviews in the discussion
2018 Annual Conference on CAA Commons 8 years, 1 month agoOur Distinguished Artist Interviews feature two interviews each year at the Annual Conference. We’ve just nailed down the second interview.
Artist Judy Baca will be interviewed by Anna Indych-López, Associate Professor of Art History, CCNY & The Graduate Center, CUNY and author of Judith F. Baca, UCLA Chicano Studies Research Center and U…[Read more]
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Ellen Osterkamp's profile was updated on CAA Commons 8 years, 1 month ago
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Chika Okeke-Agulu's profile was updated on CAA Commons 8 years, 1 month ago
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TM Literary and Cultural Theory on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
Theory and Modernism on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Translation Studies on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
TC Philosophy and Literature on MLA Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images in the group
Philosophy on Humanities Commons 8 years, 1 month agoVery short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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James Elkins deposited The Logic of Sensation and Logique de la sensation as Models for Experimental Writing on Images on Humanities Commons 8 years, 1 month ago
Very short essay on the way Deleuze uses images in his book on Bacon. In the original French edition, the images are in a separate volume; he does that in order to mime, or enact, the theory of sensation in his text. It seems to me this is an unusual and promising strategy for art history (disposing images so their sequence and arrangement…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
History of Art on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Humanists on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Art History on Humanities Commons 8 years, 1 month agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 on Humanities Commons 8 years, 1 month ago
Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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