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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Speculative and Science Fiction on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Environmental Humanities on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction in the group
Cultural Studies on Humanities Commons 2 years, 7 months agoIn lieu of an abstract, here is the beginning of the article… One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Speculative and Science Fiction on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Environmental Humanities on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe in the group
Cultural Studies on Humanities Commons 2 years, 7 months agoThis article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Caroline Edwards deposited All Aboard for Ararat: Islands in Contemporary Flood Fiction on Humanities Commons 2 years, 7 months ago
In lieu of an abstract, here is the beginning of the article…
One of the most striking things about speculative literature of the twenty-first century has been its increasingly focussed interest in imagining impending disaster: from the escalating likelihood of biblical deluge on a planetary scale to looming ecocatastrophes of drought and…[Read more]
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Caroline Edwards deposited Becoming-lithic: elemental utopian possibility in the contemporary ecocatastrophe on Humanities Commons 2 years, 7 months ago
This article explores an emerging cluster of ecocatastrophe narratives that locate utopian possibility within the Earth’s sub-crustal lithosphere. Texts such as N. K. Jemisin’s “Broken Earth” trilogy (2015–2017), J. G. Ballard’s The Crystal World (1966), Lars von Trier’s film Melancholia (2011), Irene Solà’s Catalan novel When I Sing, Mountains…[Read more]
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Lisa L. Tyler's profile was updated on Humanities Commons 2 years, 8 months ago
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Michael Fuchs's profile was updated on Humanities Commons 2 years, 9 months ago
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Michael Fuchs deposited Intermedia Games—Games Inter Media: Video Games and Intermediality on Humanities Commons 2 years, 9 months ago
While all media are part of intermedial networks, video games are often at the nexus of that network. They not only employ cinematics, embedded books, and in-world television screens for various purposes, but, in our convergence culture, video games also play a vital role in allowing players to explore transmedia storyworlds. At the same time,…[Read more]
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Lisa L. Tyler's profile was updated on Humanities Commons 2 years, 10 months ago
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Peter Paul Ferry's profile was updated on Humanities Commons 2 years, 11 months ago
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Michael Fuchs deposited The Disease Becomes the Host: Cattle Decapitation’s Pandemic Discourse from Song to Music Video on Humanities Commons 3 years ago
On April 2, 2020, extreme metal band Cattle Decapitation released a video for their song “Bring Back the Plague” (2019), whose lyrics invoke a pandemic that wipes out humanity as a means to counter the anthropogenic devastation of Earth. This article explores these lyrics vis-à-vis the music video, which tackles the spatiotemporal disruption…[Read more]
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