Digital reading is not just a matter of new media; it is a new cognitive activity that Proust’s writing seems to have anticipated. Our goal is to demonstrate that the “branching and responding text” that was announced by Ted Nelson in Litary Machines corresponds in its very logic and patterns to the new writing style that is to be observed in Pr…[Read more]

Du paletot idéal de «Ma Bohème » à la robe de laine des anges de Mystique, les tissus se dématérialisent dans la poésie de Rimbaud. La portée du champ sémantique des étoffes et des vêtements dans l’œuvre du poète de Charleville structure, avec d’autres thèmes, l’esthétique de la Voyance. Le monde s’habille, en effet, d’âme, tandis que l’âme…[Read more]

If synesthesia is rare in “Le Spleen de Paris”, it is also differently constructed and shaped than in the Fleurs du Mal. This article aims to demonstrate that this evolution points out a shift in Baudelaire’s esthetics, that from Unity of Univers seems to move towards fragmentation of reality: actually, from Baudelaire to Proust.
Abstract in…[Read more]

Online course

The course Au coeur de Paris, Baudelaire et Paris is a Massive Open Open Course, and focuses on the relation between Baudelaire’s poetry and the city of Paris, within an interdisciplinary approach that includes literary, geographic and artistic features.

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

The main topic of this article is the history of a rare and precious French magazine of the late Nineteenth century, in which a vivid and crucial discussion about arts and their inter-relation grew the more and more intense in the short space of four years (1892-1896). The “Livre d’Art” was first conceived as a simple booklet to be distr…[Read more]

Ce livre rassemble huit études sur la littérature symboliste, que Sergio Cigada publia en italien genre 1960 et 2010. Elles sont ici pour la première fois rassemblées, par les soins de ses élèves, et traduites en français. À la lumière d’une conception “interprétative et non didactique” de la critique littéraire, Cigada décèle chez Baudelaire l…[Read more]

The object of this article is the idea of theatrical synesthaesia, as it was developed into the relationship between painters and symbolist poets at the “Théâtre d’Art” directed by Paul Fort since november 1890 till march 1892. Aesthaetic theories of two of the most important Nabis painters (Maurice Denis and Emile Bernard) are examined in relatio…[Read more]