The present article examines the Corpus Leidense, the group of eight Ciceronian treatises among which the De natura deorum was also transmitted, focusing on its archetype. The second and longer section contains the first complete list of the 174 identified manuscripts of De natura deorum, with 57 new items added to the 117 already listed by Pease…[Read more]

Recent scholarship has done much to challenge the long-held antipathy towards Pausanias, even if some of the best studies appear “enamored not so much of Pausanias himself as they are of the idea of Pausanias”. As one of the leading new Pausaniacs, Greta Hawes has been at the vanguard of efforts to get the measure of this storied landscape. Her…[Read more]

In the Madrid photographic panorama between 1857 and 1868, the presence of Ángel Alonso Martínez is a permanent note, which does not correspond to the scant knowledge we have of his professional career. We intend to shed some more light on this signature: «A. Alonso Martínez and Brother». / En el panorama fotográfico madrileño entre 1857 y 1868,…[Read more]

The subject of this chapter is a single contested word in Herodotus’ Histories. In it I explore its semantic range and use it to think about broader questions of Herodotus’ interplay with Homer. Where many of the Homeric touches in Herodotus can be put down to, and more productively used, as examples of traditional referentiality or, at least, n…[Read more]

Discover unique photographs by pioneer photographers in Spain: Clifford, Masson, Lorichon, Blanco, Clonwek, Napoleón, Franck y Sanz y Benito, Conde de Lipa, Massari and more… The primitives in the Fernández Rivero Collection of Old Photograph.

Announcement for the opening of the exhibition “Eden and Everything After” at the University of Stavanger Archaelogical Museum and publication of attendant catalogue.

Queer theorists have traditionally advocated for the adoption of an outlook of queer pessimism in order to develop a criticality that helps the queer community effectively address the issues it presently faces. Some queer theorists, however, have instead advocated for an outlook of queer optimism—an outlook which allows space for celebrating joy a…[Read more]

Calotypes, salted papers, albumen printing… these are the terms that take us back to the beginnings of photography, to the 1850s, when the passionate pioneers of this art hit the road eager to capture the world with their camera. The images created by some of these unique non-professional photographers who visited Spain are also kept at the C…[Read more]

Der Beitrag untersucht das Verhältnis des Bildprogramms zur Weltchronik des Rudolf von Ems zu anderen Bildprogrammen von volkssprachlichen Weltchroniken.
Es gibt keinen für Rudolf von Ems typischen Illustrationsmodus. Weder Rudolf noch irgendeine andere Weltchronik hat eine derart individuell ausgeprägte und von der biblischen Grundlage sich ab…[Read more]

Die Quellensammlung zum Waldrapp (Geronticus eremita – Northern Bald Ibis) versammelt Knochenfunde (ab dem Miozän), Bildquellen aus dem Mittleren Osten, dem Alten Ägypten, der Antike, dem Mittelalter und bis ins 17. Jahrhundert und Textquellen, die bis in die Antike zurückreichen und einen eindeutigen Höhepunkt im 16. Jahrhundert (Conrad Ges…[Read more]

Das Stadtbuch der niederösterreichischen Stadt Waidhofen an der Thaya aus der Mitte des 15. Jahrhunderts beginnt mit einer bemerkenswerten Initiale. Diese kombiniert Motive, die aus Notarssigneten stammen mit einem Vogel, der seit 1971 mit dem Waldrapp (Geronticus eremita) identifiziert wurde.

Paintings are usually not animated. But: Painters want to tell stories and therefore have cre-ated methods to induce a performance within the viewer’s imagination. An especially apt media for such approaches is book illumination because it is possible to sequence a story into many separate scenes. This happened from Late Antiquity onwards.
I p…[Read more]

En este artículo veremos un álbum con fotografías en cianotipia que reflejan la construcción de la línea férrea que, desde Girona, llegó a la frontera con Francia en Port-Bou en 1878. / In this article we will see an album with cyanotype photographs that reflect the construction of the railway line that, from Girona, reached the border with France…[Read more]

“In Beautiful Terrible Ruins: Detroit and the Anxiety of Decline, Dora Apel goes on the offensive against the myriad myths and delusions peddled about the Motor City; not only that, she rebuffs the blame and shame that have traditionally been directed at the Detroit citizenry, and redirects our attention to the corporations and bureaucrats who…[Read more]

New evidence on scholarly patronage under the Roman empire can be garnered by analyzing the descriptions of learned magoi in several texts from the second to the fourth century CE. Since a common use of the term magos connoted flatterer-like figures (kolakes), it is likely that the figures of “learned sorcerers” found in texts such as Luc…[Read more]

In this paper, I argue that the traditional narrative of Iphigenia’s sacrifice lies allusively behind the opening scenes of the Iliad (1.8–487). Scholars have long suspected that this episode is evoked in Agamemnon’s scathing rebuke of Calchas (1.105–8), but I contend that this is only one moment in a far more sustained allusive dialogue: both th…[Read more]

Hellenistic literature and art commemorated victories over the Galatians through a variety of analogies and allegories, ranging from the historical Persian Wars to the cosmic Gigantomachy: each individual victory was incorporated into a larger sequence in which order constantly quelled the forces of chaos. This paper explores this analogical…[Read more]

Archaic Greek epic exhibits a pervasive eristic intertextuality, repeatedly positioning its heroes and itself against pre-existing traditions. Here I focus on a specific case study from the Odyssey: Homer’s agonistic relationship with the Catalogue of Women tradition. Hesiodic-style Catalogue poetry has long been recognized as an important i…[Read more]

In this note, I highlight a hitherto unrecognized literary resonance in the climactic final verses of Archilochus’ First Cologne Epode: Archilochus parodically and subversively reworks the Homeric description of a quivering spear. This Homeric resonance caps the poem’s ongoing clash between the generic conventions of epic and iambus, while also…[Read more]

In this paper, I investigate the repetition of Homeric hapax legomena in archaic and classical Greek poetry. Scholars frequently assume that fine-grained engagement with Homeric rarities is a distinctive feature of the Hellenistic period, but I reveal the significant precedent for this phenomenon in earlier poetry. Proceeding through comedy,…[Read more]