This article reassesses the metaphors found in Isa 49.26a and 63.6 in their historical and socio-religious context of alcohol production. Using interdisciplinary approaches from archaeology and anthropology, traditional interpretations that have emphasised a context of alcohol consumption and drunkenness, rather than wine production, are…[Read more]

This article reassesses the metaphors found in Isa 49.26a and 63.6 in their historical and socio-religious context of alcohol production. Using interdisciplinary approaches from archaeology and anthropology, traditional interpretations that have emphasised a context of alcohol consumption and drunkenness, rather than wine production, are…[Read more]

This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative. The approach taken to Nolan’s work is that of auteur theory, a pattern theory which traces the distinctive technical and artistic voice of the director across a wide range of films (e.g. M…[Read more]

This essay examines the Book of Revelation in dialogue with the films of Christopher Nolan, with particular attention to the use of nonlinear narrative. The approach taken to Nolan’s work is that of auteur theory, a pattern theory which traces the distinctive technical and artistic voice of the director across a wide range of films (e.g. M…[Read more]

This article concentrates on the affective impacts of the relationship between the bodies of the father and his daughter in Sirach. It relies on gender studies as well as affect theory to explore how intensities pass from body to body in the biblical text, and also to the bodies of those who read it. The father’s body is marked by gynophobic a…[Read more]

This article concentrates on the affective impacts of the relationship between the bodies of the father and his daughter in Sirach. It relies on gender studies as well as affect theory to explore how intensities pass from body to body in the biblical text, and also to the bodies of those who read it. The father’s body is marked by gynophobic a…[Read more]

This is a slightly revised version of the text of a talk that I (Seo-Young Chu) gave as part of the Fall 2014 Franke Lectures in the Humanities at Yale University. I’m sharing the text here to make the lecture more accessible. Topics include: North Korea/the DPRK, the “uncanny body politic,” the uncanny valley, “dystopian poetics,” what it means…[Read more]

This chapter analyzes activist narratives that foreground agroecological systems such as milpa farming. Here, corn has been most visibly used as a unifying metaphor for Mexican identity, while quelites (‘tender edible weeds’), which grow spontaneously at the feet of corn plants, have historically commanded much less attention. Recently, how…[Read more]

“The Bible” does not exist as material reality, and yet as a cultural icon “the Bible” animates institutions and enterprises devoted to it. This article assesses the short history of scholarship on one such institution, the controversial Museum of the Bible (MOTB) in Washington, D.C., in order to highlight and critique the fantasy of “the Bi…[Read more]

“The Bible” does not exist as material reality, and yet as a cultural icon “the Bible” animates institutions and enterprises devoted to it. This article assesses the short history of scholarship on one such institution, the controversial Museum of the Bible (MOTB) in Washington, D.C., in order to highlight and critique the fantasy of “the Bi…[Read more]

Book review

In “Hwabyung Fragments” the Korean American poet Seo-Young Chu uses pieces of Korean mythology, family lore, DMZ iconography, speculative lyricism, allusions to Plato’s Symposium (the figure of one’s missing other half), and allusions to chimerism, mosaicism, and twinning to explore generational trauma, Korean division, postmemory han, the…[Read more]

This essay examines select Priestly texts that describe the roles of leaders from the northern and southern tribes in the wilderness cult: the texts of Exod 25–31, 35–40 that concern the sanctuary artisans Bezalel (from the tribe of Judah) and Oholiab (from the tribe of Dan), chosen to lead the construction of the wilderness shrine; the des…[Read more]

This essay examines select Priestly texts that describe the roles of leaders from the northern and southern tribes in the wilderness cult: the texts of Exod 25–31, 35–40 that concern the sanctuary artisans Bezalel (from the tribe of Judah) and Oholiab (from the tribe of Dan), chosen to lead the construction of the wilderness shrine; the des…[Read more]

This essay examines select Priestly texts that describe the roles of leaders from the northern and southern tribes in the wilderness cult: the texts of Exod 25–31, 35–40 that concern the sanctuary artisans Bezalel (from the tribe of Judah) and Oholiab (from the tribe of Dan), chosen to lead the construction of the wilderness shrine; the des…[Read more]

A pesar que puga semblar una mica pueril, crec que he de començar aquest treball amb una asseveració rotunda: el Cancionero general no es va editar a València per casualitat. Les edicions de 1511 i 1514 no van ser solament el resultat del moltes vegades problemàtic pelegrinatge vital dels erudits literaris de l’època que, com Hernando del Castil…[Read more]

El 22 de desembre de 1509, l‘erudit castellà Hernando del Castillo, el mercader genovés Lorenzo Ganoto i l’impressor Cristóbal Cofman firmaven a la ciutat de València, davant el notari Joan Casanova, el contracte de la primera edició del Cancionero general, que va veure la llum finalment l’any 1511. En esència, la distribució del treball era…[Read more]