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Jake Johnson deposited “That’s Where They Knew Me When”: Oklahoma Senior Follies and the Narrative of Decline in the group
Music and Sound on Humanities Commons 8 years agoAmerican musical theater occupies a unique space relative to other popular music genres. This is particularly true with regards to the ways aging performers are valued. Whereas aging or aged voices in popular music are often revered as “authentic,” aging musical theater performers face an industry largely uninvested in positive representations of…[Read more]
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Jake Johnson deposited Calling out the nameless: CocoRosie’s Posthuman sound world in the group
Music and Sound on Humanities Commons 8 years ago“To engage with CocoRosie requires absolute suspension of disbe- lief,” writes The Guardian. This has as much to do with their music as their appearance, for sisterly duo CocoRosie have embraced what they call a “posthuman kind of style” rooted in the dissolution of gender. In an effort to imagine a world beyond human constructions of gender,…[Read more]
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Richard Elliott deposited The Late Voice (Introduction) in the group
Music and Sound on Humanities Commons 8 years agoIntroduction to The Late Voice: Time, Age and Experience in Popular Music.
Popular music artists, as performers in the public eye, offer a privileged site for the witnessing and analysis of ageing and its mediation. The Late Voice undertakes such an analysis by considering issues of time, age, memory, innocence and experience in modern popular…[Read more]
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Reba Wissner deposited For Want of a Better Estimate, Let’s Call It the Year 2000: The Twilight Zone and the Aural Conception of a Dystopian Future in the group
Music and Sound on Humanities Commons 8 years agoThis paper examines the aural conceptions of futuristic dystopias in episodes of The Twilight Zone, focusing on one specific episode, season five’s “Number Twelve Looks Just Like You.” I examine how the music director of CBS conceived of the future, aurally representing these episodes as having an affinity with the premise of Brave New World by re…[Read more]
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Reba Wissner deposited I Am Big, It’s the Pictures That Got Small: Sound Technologies and Franz Waxman’s Scores for Sunset Boulevard (1950) and The Twilight Zone’s “The Sixteen Millimeter Shrine” (1959) in the group
Music and Sound on Humanities Commons 8 years agoFranz Waxman composed over 150 film scores, the most famous of which is Billy Wilder’s film noir Sunset Boulevard (1950). The film plot bears a striking resemblance to Rod Serling’s teleplay for The Twilight Zone, “The Sixteen-Millimeter Shrine” (1959). Waxman, composer of the film, was approached to compose a score for a television episode…[Read more]
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Katie Graber deposited Ramala PowerPoint in the group
Music and Sound on Humanities Commons 8 years agoThis PowerPoint accompanies Ramala: An American “Indianist” Opera Musicological Lecture Concert (http://dx.doi.org/10.17613/M67K1J).
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Katie Graber deposited Ramala: An American “Indianist” Opera, Musicological Lecture Concert in the group
Music and Sound on Humanities Commons 8 years agoOhio State University Opera & Lyric Theatre presents “Ramala”: https://www.youtube.com/watch?v=N6HEzeWw9SI Wednesday, November 1, 2017 – 7:30pm Weigel Auditorium Charles Wakefield Cadman, Francis La Flesche, and Nelle Richmond Eberhart began collaborating on this opera in 1908, at that time titled Daoma (sometimes spelled Da O Ma). In the 1930s,…[Read more]
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Richard Elliott deposited The Sound of Nonsense in the group
Music and Sound on Humanities Commons 8 years ago‘Watch the sense and the sounds will take care of themselves’; so says the Duchess in Alice’s Adventures in Wonderland. But can we be so sure of this? The Duchess, like her creator Lewis Carroll, often seems to put more emphasis on the sound of words than their sense, a technique that can also be detected in other written texts and in works of so…[Read more]
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Richard Elliott deposited nonsensemix in the group
Music and Sound on Humanities Commons 8 years agoAn audio taster of my book The Sound of Nonsense. The taster includes samples of recordings of the work of some of the novelists, poets, musicians and performers who are used as case studies in the book. The taster is designed to both provide an overview of the subject matter of the book and to model one of the types of sonic nonsense discussed in…[Read more]
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Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic-examples in the group
Music and Sound on Humanities Commons 8 years agoThese are examples to go with http://dx.doi.org/10.17613/M64Z69. The handwritten examples existed only in hardcopy, so rather than simply scanning them, I redid them. Aside from a couple of clearly marked changes, they are the same as the 1981 versions.
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Arthur Maisel deposited The Fourth of July by Charles Ives: Mixed Harmonic Criteria in a Twentieth-Century Classic in the group
Music and Sound on Humanities Commons 8 years agoThis is an updated version of the 1981 paper. The first part, published in Theory and Practice, is substantially unchanged save for some details of the analysis and several added comments. The second part, written over the past year, is an appendix that addresses the role of memory in Ives’s music. There is an additional analysis of his song “The…[Read more]
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Sarah E. Chinn deposited Feeling Her Way: Audre Lorde and the Power of Touch in the group
Feminist Humanities on Humanities Commons 8 years agoThis article analyzes the connections between Lorde’s representations of blindness in Zami: A New Spelling of My Name, and its connection to lesbian sexuality.
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Molly Appel deposited The Pedagogical Poetics of Testimony: How in the group
Feminist Humanities on Humanities Commons 8 years agoFeminist resistance has been crucial for Argentina’s recovery from the military dictatorship of 1976-1983. Alicia Partnoy was “disappeared” into one of hundreds of torture centers sardonically called “Little Schools.” After her release and exile to the United States, she published her poetic testimony, The Little School, with Cleis Press in 1986.…[Read more]
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Kate Ozment deposited Expanding Access: Feminist Scholarship and the Women in Book History Bibliography in the group
Feminist Humanities on Humanities Commons 8 years, 1 month agoInspired by my work on the Women in Book History Bibliography, this presentation takes a different angle on discussions of women’s texts in digital archives. The WBHB collects secondary sources on women’s writing and labor over a broad range of languages, subjects, geographic locations, and time periods. Because we collect secondary sources, we…[Read more]
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Erika Supria Honisch deposited Drowning Winter, Burning Bones, Singing Songs: Representations of Popular Devotion in a Central European Motet Cycle in the group
Music and Sound on Humanities Commons 8 years, 1 month agoIn 1587 the Flemish composer Carolus Luython, employed by Holy Roman Emperor Rudolf II, published an unusual motet collection in Prague. Titled Popularis anni jubilus, the collection describes the sounds and rituals beloved by Central European peasants, recasting them as the ecstatic songs of rustic laborers (jubilus) famously celebrated by Saint…[Read more]
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Danica Savonick deposited How to Begin is also Where: Placemaking Pedagogy and June Jordan’s His Own Where in the group
Feminist Humanities on Humanities Commons 8 years, 1 month agoThis paper highlights the multiple modalities through which writer, activist, and educator June Jordan materialized a placemaking pedagogy, grounded in the art of structural critique and using language in the service of social change. In this paper, I show how Jordan “implicitly instructs” her students and young readers in cultivating a str…[Read more]
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Jennifer Oates deposited Brigadoon: Lerner and Loewe’s Scotland in the group
Music and Sound on Humanities Commons 8 years, 1 month agoSince the 1950s, Brigadoon has been accepted as a representation of Scotland. Brigadoon’s Scotland consists of a highland landscape with lochs, mists, castles populated by fair maidens, warlike yet sensitive kilted men and bagpipers. Much of this comes from the invented traditions of Scotland, particularly kilts and clan tartans; late n…[Read more]
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Jennifer Oates deposited Engaging with Research and Resources in Music History Courses in the group
Music and Sound on Humanities Commons 8 years, 1 month agoWith the ever-expanding sea of resources available to students today, it is now more important than ever to teach students how to navigate, assess, and interpret resources. Given the ease of access to information, students tend to seek out the path of least resistance, most often a Google search and/or Wikipedia. Their unfamiliarity with print…[Read more]
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Alison Loram deposited Chronic profession-limiting problems in musicians: Underlying mechanisms and neuroplastic routes to recovery in the group
Music and Sound on Humanities Commons 8 years, 1 month agoMusicians are subject to a wide range of medical and performance problems related to the physical and psychological demands of their profession. Such problems are usually diagnosed and treated in relation to a specific cause, for example direct treatment to reduce inflammation. While holistic factors are increasingly acknowledged, currently…[Read more]
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Liza Potts deposited Ladies that UX Leadership and Organization Report in the group
Feminist Humanities on Humanities Commons 8 years, 2 months agoLadies that UX (LTUX) is an international organization focused on mentoring women in the software industry. In order to explore both the mission and the focus of the international organization and smaller, localized chapters of LTUX, we conducted a series of surveys and interviews. These surveys focused on how local groups of LTUX were formed and…[Read more]
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