This is the 2020 update of a comprehensive open-access annotated bibliography listing carillon scores by African American composers and/or based on African American music. While most of the items are published, a few are unpublished but in informal circulation, or are pending publication. Carillonists are invited to use this resource to identify…[Read more]

This open-access international bibliography lists published and unpublished original carillon works by over a hundred women, transgender, and nonbinary composers. The composers’ birth years range from 1858 to the twenty-first century, the musical styles range from lyrical to avant-garde, and the formats range from solo to ensemble to e…[Read more]

This open-access international bibliography lists published and unpublished original carillon works by over a hundred women, transgender, and nonbinary composers. The composers’ birth years range from 1858 to the twenty-first century, the musical styles range from lyrical to avant-garde, and the formats range from solo to ensemble to e…[Read more]

This article strives to examine the historical narrative of music recording in its acoustic era (from 1877 to the late 1920s), at a time when competing technologies for capturing and registering sound and music were being incorporated into everyday life. Moreover, it examines the overlap of continuous and discontinuous media and processes of…[Read more]

Fall 2019 Syllabus | SUNY Cortland

What is literature and why does it matter? How can literary texts help us think differently about the world? In this course, we will explore these and other questions through works of modern and contemporary U.S. literature. In particular, we will consider the ways resources are unevenly distributed along…[Read more]

The period following the end of Getúlio Vargas’s second government (1951-1954) saw a massive expansion of the media industries with popular music in particular becoming an important cultural touchstone. Some salient trends in the post-War period include the politicization of music and other media (radio, television, social media), the in…[Read more]

The author proposes fairy-tale logic as a mode of magical thinking typified by the belief that certain functions, fulfilled correctly and in the right order, lead to predictable outcomes. Mapping similarities in implicit reasoning within “Beauty and the Beast,” the reality television program Beauty and the Geek (2005-08), and the misogynistic nar…[Read more]

Este ensayo tiene como objetivo pensar la relación entre feminismo e infrapolítica situándola en la interrogación, desde escalas impensadas, de variantes específicas del feminismo contemporáneo en Latinoamérica. Para tal fin, se ponen en perspectiva histórico-filosófica algunas de las premisas e implicaciones de la “descolonización” feminista y s…[Read more]

A book project with the goal of documenting commercially produced recordings of Negro spirituals composed for solo concert vocalists. Portions of this information is currently available on the online site, The Spirituals Database (http://spirituals-database.com).

Over 5,600 entries cover more than a century of recordings on compact discs,…[Read more]

This co-authored piece introduces our co-edited volume ‘Dreams of Germany’. It explores how, where and by whom notions of ‘musical Germanness’ have been constituted in the modern era, and to what effect. Picking up on ideas first explored systematically by Celia Applegate and Pamela Potter in their 2002 collection ‘Music and German National…[Read more]

Many of the feminist readings of the Dinah story in Genesis 34 in recent years have focused on the question of whether Dinah is raped. The interpretations that perhaps Dinah was not “raped” span the spectrum from a teenage love affair between Dinah and Shechem, to a case of statutory rape, to a marriage by abduction. Guilty of exploring this que…[Read more]

Extending Audre Lorde’s intuition around the polysemy of the term recreation, I put forward this concept as an organizational principle. Via the framework of recreation, I want to think about some of the main political stakes of the forms used by collectivities able to act politically in the present. I transpose the double binding that Lorde a…[Read more]

As Anne Sauvagnargues suggests, in Gilles Deleuze thought “every[-thing] is defined as an assemblage of movements and affective vibrations.” Interestingly, Sauvagnargues’ proposition aligns neatly with Tim Ingold’s idea of correspondence, where things perdure, “carry on together, and answer to one another,” and where the additive ‘and…and.…[Read more]

Évora tem sido um importante centro de culto mariano desde a Idade Média, com a dedicação do altar-mor da Catedral a Nossa Senhora da Assunção como ponto central. Foi também um importante centro musical e a antífona Recordare, Virgo Mater é uma das obras musicais associada à festa mariana conhecida como o Milagre da Cera. Um dos mestres de capela…[Read more]

Over the past decade, the idea of the commune has again become increasingly important to political theorists and philosophers thinking about communism. Within their debates, the anarchist-communist line of thought and practice of the commune is not much reflected. This is a mistake.
Within this chapter I reconstruct the collectively shared…[Read more]

Social organizations, institutions, governments, and bureaucracies are all manifestations of power distribution. Many contemporary theories on power are at least partly informed by notions that were introduced in General Systems Theory. Public libraries are open systems. In an average organization, a hierarchy divides tasks, sets rules, and…[Read more]