Valeria Graziano
,@valerix
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Gabriela Méndez Cota deposited Post-Globalscape. Images and the End of the World. on Humanities Commons 3 years, 8 months ago
Reflections on Post-Globalscape, an exhibition curated by Gerardo Mosquera for Intermingling Flux: 2021 Guangzhou Image Triennial, Guangdong Lingnan Fine Arts Publishing House, Editor in Chief Wang Shaoqiang.
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Janneke Adema uploaded the file: Jeff Pooley, ‘Surveillance Publishing’. to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 8 months agoPooley, J. (2022) ‘Surveillance Publishing’. The Journal of Electronic Publishing [online] 25 (1). available from
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Gil Rodman deposited Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America? in the group
Cultural Studies on Humanities Commons 3 years, 9 months ago“What does it mean to be a black film in twenty-first century America?”
Riffing off of Henry Louis Gates, Jr.’s work in Thirteen Ways of Looking at a Black Man, who in turn drew heavily from Wallace Stevens’ 1917 poem “Thirteen Ways of Looking at a Blackbird,” this chapter wrestles with some of the controversies surrounding the 2012 film Dj…[Read more] -
Gil Rodman deposited Thirteen Ways of Looking at a Black Film: What Does It Mean to Be a Black Film in Twenty-First Century America? on Humanities Commons 3 years, 9 months ago
“What does it mean to be a black film in twenty-first century America?”
Riffing off of Henry Louis Gates, Jr.’s work in Thirteen Ways of Looking at a Black Man, who in turn drew heavily from Wallace Stevens’ 1917 poem “Thirteen Ways of Looking at a Blackbird,” this chapter wrestles with some of the controversies surrounding the 2012 film Dj…[Read more] -
Gil Rodman deposited Textual Stealing?: Copyright, Race, and Elusive Justice in the group
Cultural Studies on Humanities Commons 3 years, 9 months agoA critical analysis of the racial politics of the “Blurred Lines” copyright infringement case.
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Gil Rodman deposited Textual Stealing?: Copyright, Race, and Elusive Justice on Humanities Commons 3 years, 9 months ago
A critical analysis of the racial politics of the “Blurred Lines” copyright infringement case.
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Janneke Adema uploaded the file: 'Misleading metrics' and the ecology of scholarly publishing. to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 10 months agoKirsten Bell. 2018. ‘Misleading metrics’ and the ecology of scholarly publishing. In Predatory Publishing. Post Office Press, Rope Press and punctum books, pp. 26-33. https://doi.org/10.17613/M6N58CK3D
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Janneke Adema uploaded the file: An Instrument for Adoration: A Mini-Manifesto Against Metrics for the Humanities to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 10 months agoEileen A. Fradenburg Joy, “‘An Instrument for Adoration’: A Mini-Manifesto Against Metrics for the Humanities (To Be Elaborated Upon at a Further Date),” in Humane Metrics/Metrics Noir (Coventry: Post Office Press, 2018), pp 26-33. https://hcommons-staging.org/deposits/item/hc:19823/.
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Janneke Adema's profile was updated on Humanities Commons 3 years, 11 months ago
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Janneke Adema uploaded the file: Number crunching: transforming higher education into ‘performance data’ to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 11 months agoNumber crunching: transforming higher education into ‘performance data’
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Janneke Adema uploaded the file: Trying to Say ‘No’ to Rankings and Metrics Case Studies from Francophone West Africa, South Africa, Latin America and the Netherlands to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 11 months agoTrying to Say ‘No’ to Rankings and Metrics
Case Studies from Francophone West Africa, South Africa, Latin America and the Netherlands -
Janneke Adema uploaded the file: Marres and De Rijcke, ‘From Indicators to Indicating Interdisciplinarity' to
Commoning the Means of Knowledge Production on Humanities Commons 4 years agoMarres, Noortje, and Sarah de Rijcke. ‘From Indicators to Indicating Interdisciplinarity: A Participatory Mapping Methodology for Research Communities in-the-Making’. Quantitative Science Studies, 29 June 2020, 1041–55.
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Gil Rodman deposited The Net Effect: The Public’s Fear and the Public Sphere in the group
Cultural Studies on Humanities Commons 4 years agoThis chapter examines the public discourse — both utopian and panic-driven — about the growth in popularity of the internet in the late 1990s and early 2000s
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Gil Rodman deposited The Net Effect: The Public’s Fear and the Public Sphere on Humanities Commons 4 years ago
This chapter examines the public discourse — both utopian and panic-driven — about the growth in popularity of the internet in the late 1990s and early 2000s
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Gabriela Méndez Cota's profile was updated on Humanities Commons 4 years, 3 months ago
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Julian C. Chambliss deposited Reframing Digital Humanities: Conversations with Digital Humanists in the group
Public Humanities on Humanities Commons 4 years, 4 months agoDefining digital humanities is a unique academic challenge. In this volume, Julian Chambliss, Professor of English at Michigan State University, explores the meaning, practice, and implication of digital humanities by talking to scholars deeply engaged with digital methods and the promise they hold for the humanities.
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Julian C. Chambliss deposited Reframing Digital Humanities: Conversations with Digital Humanists in the group
Digital Pedagogy on Humanities Commons 4 years, 4 months agoDefining digital humanities is a unique academic challenge. In this volume, Julian Chambliss, Professor of English at Michigan State University, explores the meaning, practice, and implication of digital humanities by talking to scholars deeply engaged with digital methods and the promise they hold for the humanities.
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Julian C. Chambliss deposited Reframing Digital Humanities: Conversations with Digital Humanists in the group
Digital Humanists on Humanities Commons 4 years, 4 months agoDefining digital humanities is a unique academic challenge. In this volume, Julian Chambliss, Professor of English at Michigan State University, explores the meaning, practice, and implication of digital humanities by talking to scholars deeply engaged with digital methods and the promise they hold for the humanities.
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Julian C. Chambliss's profile was updated on Humanities Commons 4 years, 4 months ago
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