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Gabriela Méndez Cota deposited Simplemente di no a las Humanidades: un contraapocalipsis editorial on Humanities Commons 3 years, 1 month ago
Contribución a libro sobre:…[Read more]
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Janneke Adema uploaded the file: Constant, CC4r to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 2 months agoConstant, ‘CC4r * Collective Conditions for Re-Use’, 6 October 2020.
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Janneke Adema uploaded the file: Jara Rocha and Seda Gürses, ‘A Catalog of Formats for Digital Discomfort’ to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 2 months agoJara Rocha and Seda Gürses, ‘A Catalog of Formats for Digital Discomfort’ (The Institute for Technology in The Public Interest/Digital Life Initiative, 2021). Constant, ‘CC4r * Collective Conditions for Re-Use’, 6 October 2020, https://constantvzw.org/wefts/cc4r.en.html.
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Gabriela Méndez Cota started the topic CfP Teknokultura in the discussion
Digital Books on Humanities Commons 3 years, 2 months agoCfP Special Issue of Teknokultura https://revistas.ucm.es/index.php/TEKN/nextissues
As open access policies have become assimilated to the commercial dynamics of academic knowledge production and circulation, publishing processes in the academic setting have emerged as strategic spaces where to explore new styles of research and social…[Read more]
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Gabriela Méndez Cota started the topic CfP Teknokultura in the discussion
Accessible Writing and Publishing in the Humanities on Humanities Commons 3 years, 2 months agoCfP Special Issue of Teknokultura https://revistas.ucm.es/index.php/TEKN/nextissues
As open access policies have become assimilated to the commercial dynamics of academic knowledge production and circulation, publishing processes in the academic setting have emerged as strategic spaces where to explore new styles of research and social…[Read more]
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Gabriela Méndez Cota started the topic CfP Teknokultura in the discussion
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 2 months agoCfP Special Issue of Teknokultura https://revistas.ucm.es/index.php/TEKN/nextissues
As open access policies have become assimilated to the commercial dynamics of academic knowledge production and circulation, publishing processes in the academic setting have emerged as strategic spaces where to explore new styles of research and social…[Read more]
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Julian C. Chambliss deposited Why Open Access in the group
Public Humanities on Humanities Commons 3 years, 3 months agoAn infographic exploring why open access is central to the Graphic Possibilities Research Workshop at Michigan State University for International Open Access Week. This infographic was published on Platypus: The Blog for Humanities Commons Team.
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An infographic exploring why open access is central to the Graphic Possibilities Research Workshop at Michigan State University for International Open Access Week. This infographic was published on Platypus: The Blog for Humanities Commons Team.
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Janneke Adema uploaded the file: Rita Raley, Tactical Media (Minneapolis: University of Minnesota Press, 2009). to
Commoning the Means of Knowledge Production on Humanities Commons 3 years, 3 months agoTactical media describes interventionist media art practices that engage and critique the dominant political and economic order. Rather than taking to the streets and staging spectacular protests, the practitioners of tactical media engage in an aesthetic politics of disruption, intervention, and education. From They Rule, an interactive map of…[Read more]
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Julian C. Chambliss's profile was updated on Humanities Commons 3 years, 3 months ago
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Julian C. Chambliss deposited A Generative Praxis in the group
Digital Pedagogy on Humanities Commons 3 years, 4 months agoSince 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]
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Julian C. Chambliss deposited A Generative Praxis in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoSince 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]
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Julian C. Chambliss deposited Days of Future Past: Why Race Matters in Metadata in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoWhile marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the…[Read more]
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Julian C. Chambliss deposited Days of Future Past: Why Race Matters in Metadata in the group
Comics Scholarship/Comics Studies on Humanities Commons 3 years, 4 months agoWhile marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the…[Read more]
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Since 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]
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Julian C. Chambliss deposited Days of Future Past: Why Race Matters in Metadata on Humanities Commons 3 years, 4 months ago
While marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the…[Read more]
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Gabriela Méndez Cota's profile was updated on Humanities Commons 3 years, 6 months ago
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Gabriela Méndez Cota deposited A queer ecological reading of ecocultural identity in contemporary Mexico in the group
Gender Studies on Humanities Commons 3 years, 7 months agoThis chapter analyzes activist narratives that foreground agroecological systems such as milpa farming. Here, corn has been most visibly used as a unifying metaphor for Mexican identity, while quelites (‘tender edible weeds’), which grow spontaneously at the feet of corn plants, have historically commanded much less attention. Recently, how…[Read more]
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