Thorsten Wuebbena
,@twuebbena
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Adelheid Heftberger's profile was updated on Humanities Commons 7 years, 10 months ago
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Ulrike Wuttke deposited Im Diesseits das Jenseits bereiten Eschatologie, Laienbildung und Zeitkritik bei den mittelniederländischen Autoren Jan van Boendale, Lodewijk van Velthem und Jan van Leeuwen in the group
Religious Studies on Humanities Commons 7 years, 12 months agoThis study reveals that in medieval Dutch vernacular texts (from the Brabantine authors Jan van Boendale, Lodewijk van Velthem, and Jan van Leeuwen, and in the anonymous Boek van Sidrac) the treatment of individual and universal eschatological topics and themes, such as death, heaven, hell, purgatory, the Antichrist, eschatological people, and…[Read more]
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Ulrike Wuttke deposited Im Diesseits das Jenseits bereiten Eschatologie, Laienbildung und Zeitkritik bei den mittelniederländischen Autoren Jan van Boendale, Lodewijk van Velthem und Jan van Leeuwen in the group
Medieval Studies on Humanities Commons 7 years, 12 months agoThis study reveals that in medieval Dutch vernacular texts (from the Brabantine authors Jan van Boendale, Lodewijk van Velthem, and Jan van Leeuwen, and in the anonymous Boek van Sidrac) the treatment of individual and universal eschatological topics and themes, such as death, heaven, hell, purgatory, the Antichrist, eschatological people, and…[Read more]
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Ulrike Wuttke deposited Im Diesseits das Jenseits bereiten Eschatologie, Laienbildung und Zeitkritik bei den mittelniederländischen Autoren Jan van Boendale, Lodewijk van Velthem und Jan van Leeuwen on Humanities Commons 8 years ago
This study reveals that in medieval Dutch vernacular texts (from the Brabantine authors Jan van Boendale, Lodewijk van Velthem, and Jan van Leeuwen, and in the anonymous Boek van Sidrac) the treatment of individual and universal eschatological topics and themes, such as death, heaven, hell, purgatory, the Antichrist, eschatological people, and…[Read more]
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Ulrike Wuttke's profile was updated on Humanities Commons 8 years ago
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Anne Klammt's profile was updated on Humanities Commons 8 years ago
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Nathan Gibson's profile was updated on Humanities Commons 8 years, 1 month ago
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
History of Art on Humanities Commons 8 years, 2 months agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Humanists on Humanities Commons 8 years, 2 months agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 in the group
Digital Art History on Humanities Commons 8 years, 2 months agoComputational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Matthew Lincoln deposited Continuity and Disruption in European Networks of Print Production, 1550-1750 on Humanities Commons 8 years, 2 months ago
Computational analysis of the potential historical professional networks inferred from surviving print impressions offers novel insight into the evolution of early modern artistic printmaking in Europe. This analysis traces a longue durée print production history that examines the changing ways in which different regional printmaking communities…[Read more]
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Natascha Drubek deposited 140 Jahre Russisches Licht in the group
Film Studies on Humanities Commons 8 years, 2 months agoFor archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more] -
For archiving I made a couple of screenshots of this rare occasion. German director Alexander Kluge interviewing Natascha Drubek in June 2016. The whole film (45′) can be found when you follow the link below: “Von den Ikonen zum russischen Stummfilm”:
“Russisches Licht” hieß eine mondäne städtische Beleuchtungsart, zuerst in Paris erprobt, d…[Read more] -
Natascha Drubek created the group
Czech Culture on Humanities Commons 8 years, 2 months ago -
Adelheid Heftberger deposited Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era in the group
Film Studies on Humanities Commons 8 years, 3 months agoThis article seeks to prompt a re-evaluation of the fi lm archive’s role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner’s plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]
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Adelheid Heftberger deposited Film archives and digital humanities – an impossible match? New job descriptions and the challenges of the digital era in the group
Digital Humanists on Humanities Commons 8 years, 3 months agoThis article seeks to prompt a re-evaluation of the fi lm archive’s role within the current digital humanities debate as a logical, yet underrated, partner. The article invokes Jeffrey Schnapp’s and Todd Presner’s plea from 2009 for digital humanities to create as its core aim a more democratic view of knowledge-producing institutions by i…[Read more]
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Adelheid Heftberger deposited Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Die Verschmelzung von Wissenschaft und Filmchronik“. Das Potential der reduktionslosen Visualisierung von „Das elfte Jahr“ und „Der Mann mit der Kamera“ von Dziga Vertov in the group
Digital Humanists on Humanities Commons 8 years, 3 months agoOn the potential of data visualization for Film studies and Film history.
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Adelheid Heftberger deposited Zerschnittene Bilder. Die drei Fassungen von Dziga Vertovs Tri pesni o Lenine (1934/35, 1938 und 1970) in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the versions of Dziga Vertovs film “Three Songs on Lenin”.
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Adelheid Heftberger deposited Do Computers Dream of Cinema? Film Data for Computer Analysis and Visualisation in the group
Film Studies on Humanities Commons 8 years, 3 months agoOn the potential of data visualization for Film studies and Film history.
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