Explores how “Ode to a Grecian Urn” reads as a discovery of the discovery for the poet of the importance of an object, not primarily as something he might master, but something he submits to. Story of the withdrawal of status, and re-projection of “art,” status, onto an object, after brief experience of the effects of being abandoned its authority.

While the trope of the Islamic pilgrimage (ḥajj) is well known, the impact of the imagery and concept of travel on poetic production from the Islamic world, particularly in Persian, has not merited the same scrutiny. This chapter introduces one of the most important and yet least-studied Persian travel narratives to an interdisciplinary r…[Read more]

Argues that the way in which Marlow is presented, ensures that Joseph Conrad’s “Heart of Darkness” is vulnerable as a text that ostensibly helps justify the maintenance of separate spheres between men and women; argues that Marlow’s successful agency is more about his being craftily evasive, a man who doesn’t impose but dodges.

Explores how Henry James’s “The Beast in the Jungle” reads exactly as the sort of clinging back to a projected mother-figure, after freedom began to spell feelings of abandonment that psychically were proving increasingly intolerable, that object relations therapists finds in patients. Delineates how much of the story amounts to a tussle between…[Read more]

This is an Accepted Manuscript, for an article forthcoming in Antiquity (2019), and remains subject to pre-publication type-editing and proofing. Please cite as James M. Harland, ‘Memories of Migration? So-called “Anglo-Saxon” Burial Costume of the 5th Century AD,’ Antiquity 93 (2019). A link to the final publication at Cambridge University Press…[Read more]

This is an Accepted Manuscript, for an article forthcoming in Antiquity (2019), and remains subject to pre-publication type-editing and proofing. Please cite as James M. Harland, ‘Memories of Migration? So-called “Anglo-Saxon” Burial Costume of the 5th Century AD,’ Antiquity 93 (2019). A link to the final publication at Cambridge University Press…[Read more]

This study focuses on the cultural history of illegitimacy and its representation in literature, with an emphasis on the gender of fictional bastards and foundlings.

“Race” offers a compelling study of ideas related to race throughout history. Its breadth of coverage, both geographically and temporally, provides readers with an expansive, global understanding of the term from the classical period onwards: Intersections of Race and Gender // Race and Social Theory Identity // Ethnicity, and Immigration //…[Read more]

Exploration of how “Silas Marner” is George Eliot’s means to distinguish herself from those who are truly guilty of abandoning parental mores… ancestors, parents, themselves. An argument is made that the reason for the text is as provision for the author to temporarily relieve herself of guilt.

Exploration of how “Silas Marner” is George Eliot’s means to distinguish herself from those who are truly guilty of abandoning parental mores… ancestors, parents, themselves. An argument is made that the reason for the text is as provision for the author to temporarily relieve herself of guilt.

This article examines how the Persian prison poem (habsiyāt) incorporated Islamic legal norms for governing non-Muslim peoples into its poetics. By tracing how Khāqāni of Shirvān (d. 1199) brought the aesthetics of incarceration to bear on Islamic legal regulations pertaining to non-Muslim communities (ahl al-zemma), I offer a new perspective on…[Read more]

Exploration of how Elizabeth Gaskell uses her textual creation, “Cranford,” to insert a male “bomb” into specifically delineated memories of her pre-adult life, thereby effecting displaced matricide.

Analysis of how Jo creates her own femininity, apart from her mother’s, through effectively earning the trust and interest of increasingly impressive paternal imagos.

How and why do we read? And what is the relationship between academic reading and the reading we do for pleasure? This course is divided into two parts. The first part, on critical reading, surveys some of the most influential critical approaches in recent decades, including structuralism, Marxism, psychoanalysis, deconstruction, feminism,…[Read more]

Exploration of how Aphra Behn uses her textual creation “Oronnoko” to engage in a guiltless sexual affair that bypasses all societal and inner-psychic censors.

Full collection of essays written during my undergraduate and graduate studies in literature.

Full collection of essays written during my undergraduate and graduate studies in literature.

This thematic session of the journal is devoted to expressions of creative writing inspired by monuments. Our aim is to understand how and why diverse re/constructions of their specific genesis, descriptions of architectural features, explanations of symbolism, histories of mentors, sponsors and artists generate over/interpretations in the form of…[Read more]