Argues that, reversing the trope of subjects visiting the magnificent, the Elohistic history has Yahweh interested in the simplest, flimsiest altars only, which he will visit when and where he is invited to do so. The implication rules out temple-altars and temples for their royal sponsorship.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

Analyzes Isaiah 40–48 as a single literary work through levels of speakers (frame and subordinate) with implications for its construction of divine potency and communication.

In the rabbinic worldview, man goes through life surrounded by temptation. The world is a place where temptation lurks on every street corner, at every table, and at every moment. For the rabbis, Torah – both Written and Oral – is the solution to controlling the yeẓer (יצר), the inclination to act on one’s desires. The ability to control on…[Read more]

In the rabbinic worldview, man goes through life surrounded by temptation. The world is a place where temptation lurks on every street corner, at every table, and at every moment. For the rabbis, Torah – both Written and Oral – is the solution to controlling the yeẓer (יצר), the inclination to act on one’s desires. The ability to control on…[Read more]

Household sacrifice is a common feature of the ancient Mediterranean. While offerings are made in temples, a home altar is a frequent sacrificial site. This raises an intriguing question for scholars of Judaism in antiquity: do Jews also sacrifice on household altars? While Judaism in antiquity is riotously diverse, it often looks very much like…[Read more]