More detailed discussions on Thomas Biggs: Sown Men and Rome’s Civil Wars. Rethinking the End of Melinno’s Hymn to Rome (Mnemosyne 76.3) and Gerlinde Bretzigheimer: Intertextualität und Intratextualität in Ausonius’ Epitaphia heroum (Wiener Studien 135).

This paper aims to examine models by which symbolism of light and lamp in
the Mediterranean region was manifested in the early Christian visual culture,
i.e. lamp representations from Central Balkans. Lamps with Early
Christian representations are considered in the context of transculturality
of Late Antiquity, as well as political and…[Read more]

Elements of Christian visual culture appeared in
various media in monumental and applied art during the late
antique period, from painted decoration in the catacombs,
through funerary monuments, to utilitarian objects such as
jewellery and lamps. The paper analyses the symbolic meaning
of fish and maritime motifs in the context of the late…[Read more]

On a number of pilgrimage objects from Late Antiquity, St Thecla, a highly revered saint, also known as Thecla the Protomartyr, is shown accompanied by St Menas, whose tomb in Egypt was the pilgrimage centre associated with healing miracles. The saintly couple appear in ad bestias compositions or in a simplified variant as two saints with a cross.…[Read more]

This essay examines three cases in which pentateuchal ritual law is employed in Ezra-Nehemiah and Chronicles: the Sukkôt celebration in Neh 8:13–18, Hezekiah’s Passover in 2 Chr 30, and Josiah’s Passover, in 2 Chr 35:1–19. These case studies reveal that the scribes responsible for Ezra-Nehemiah and Chronicles considered the ritual texts of the P…[Read more]

This article explores how the priestly wilderness shrine functions as a monumental space in the sanctuary construction account of Exod 25–31, 35–40. It draws on spatial theory and studies of monumental architecture to identify five features of the tent of meeting that infuse it with monumentality: first, its significance in negotiating the pat…[Read more]

The volume under review is based on the premise that there is no real dialogue between Greek and Latin studies on the literature (and especially on the poetry) of Late Antiquity, at least not a dialogue as intense as with regard to the earlier, ‘classical’ literature. The reason for this is not least the problem that mutual dependencies between…[Read more]

The early history of the study of Parthian art may be profitably divided into three overlapping phases. The first phase, ‘Ordering’, begins with Johann Joachim Winckelmann’s dismissive assessment of Parthian art, at this point known mainly from coins, as derivative and barbaric. The second phase, ‘Exploration’, begins in the mid-ninet…[Read more]

More detailed Discussions on J. van Waarden: Leafing through Pliny with Sidonius. Sidon. Ep. 1.1, Plin. Ep. 1.1, 1.2, and 1.5, and Satire, Mnemosyne 75/6, 2022, 1021–1043 (62–64) and G. Wöhrle: Fragmente im
Überfluss. Zur Problematik eines philologischen Begriffs, Hermes 150/4, 2022, 385-404 (64–67).

This article examines the Greek goddess Hygieia by looking at her identity, cult status in the ancient world and subsequent scholarly reception. Should she be viewed as a goddess or a personification? By studying Hygieia primarily as a concept of health within ancient medicine, as well as a personification and a goddess, it will be argued that…[Read more]

In this paper, I argue that Hygieia has to be viewed as a full goddess in Greek religion and medicine, with a special focus on her position within the Asklepios cult. I will examine her identity, to which scholars attribute several labels like goddess, abstraction and personification. I further argue that Hygieia’s role in performing incubation r…[Read more]

The present paper aims to investigate the role of anthropology in the development of Ritual Studies as an inter-disciplinary platform, with a focus on ritual dynamics by using a historiographic description, focusing on thetransition of Greco-Roman to Christian culture. This study attempts to shed light not only on the contributionof anthropology…[Read more]

Tags made of mudstone are predominantly found in ancient Egyptian Predynastic cemetery contexts. This study examines the symbolism and significance of mudstone tags that are crescent-shaped and/or feature the recurved horns of hartebeests. The use of syncretic imagery on these tags provides evidence for the fluidity of artistic perceptions in…[Read more]

Tags made of mudstone are predominantly found in ancient Egyptian Predynastic cemetery contexts. This study examines the symbolism and significance of mudstone tags that are crescent-shaped and/or feature the recurved horns of hartebeests. The use of syncretic imagery on these tags provides evidence for the fluidity of artistic perceptions in…[Read more]

Tags made of mudstone are predominantly found in ancient Egyptian Predynastic cemetery contexts. This study examines the symbolism and significance of mudstone tags that are crescent-shaped and/or feature the recurved horns of hartebeests. The use of syncretic imagery on these tags provides evidence for the fluidity of artistic perceptions in…[Read more]

The Companion assembles a total of twenty chapters in English throughout, which – as explained in more detail in the Introduction by the two editors – are thematically divided into three sections (“parts”): “Isidore’s Contexts” (chapters 1-4, including the “Introduction”), “Themes in Isidore’s Works” (chapters 5-13), and “Transmission andReception…[Read more]

(Sobre el «Discurso a Diogneto» y la literatura cristiana primitiva).
En este trabajo, se lleva a cabo un concienzudo estudio del «Discurso a Diogneto» o «Epistola a Diogneto» (como queramos llamar a este texto). Y en él, su autor destaca como rasgos fundamentales:
—El carácter muy temprano de este texto, que intentó armonizar la Iglesia co…[Read more]

Angels, as mythical beings, appear and disappear suddenly throughout Biblical Texts, without any clear explanation of their origins or metaphysical ranks. Whether they are considered circumstantial theophanies or entities with granted self-existence and specific divine functions; such metaphysical entities have a vital presence in the religious…[Read more]

The Late Bronze Age was a period of heightened international diplomacy throughout the eastern Mediterranean littoral and the Near East. A direct result of this supra-regional interconnectivity is argued to have been the formation of an independent hybrid visual style, the ‘International Style’, an iconographic idiom which occurs sparingly on art…[Read more]