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Paul Watt started the topic Applications Open: Elizabeth Wood Research Fellowship is Musicology, U Adelaide in the discussion
MSA Forum on Humanities Commons 2 years, 8 months agoDear colleagues
Please see this link for details about the newly gifted Elizabeth Wood Research Fellowship in Musicology tenable at The University of Adelaide:
Kind regards
Paul
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Channan Willner posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 8 months agoDear members of the list,
I recently completed the second of two pairs of studies on my website, at . The first pair, “Mozart’s Delayed Dominants,” targets long-range dominants that arrive much later than the subordinate theme, near the end of the exposition: through exposition-long voice exchanges (part 1), and through delays in returning to the…[Read more] -
Alison Tokita replied to the topic Program: Musical Exchanges, Networks and Migrations to and from Australia in the discussion
MSA Forum on Humanities Commons 2 years, 8 months agoHello
I would like to register for attending this by zoom.
Can you please send me the link.
Alison Tokita
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Paul Watt replied to the topic Program: Musical Exchanges, Networks and Migrations to and from Australia in the discussion
MSA Forum on Humanities Commons 2 years, 8 months agoMusical Exchanges, Networks and Migrations to and from Australia
Melbourne Conservatorium of Music
Ian Potter Southbank Centre Room 701
Program
10.00 Welcome and Introduction
John Gabriel
Session 1
Facilitator: John Gabriel
10.15
Resonant Histories of Musical Encounter in Australia
Amanda Harris, University of Sydney
This project aims…[Read more]
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Paul Watt started the topic Program: Musical Exchanges, Networks and Migrations to and from Australia in the discussion
MSA Forum on Humanities Commons 2 years, 8 months agoDear colleagues
Attached is the program for our Roundtable on 12 May, to be held at the Melbourne Conservatorium of Music (in conjunction with The Elder Conservatorium, University of Adelaide).
If you would like to attend via zoom you can register here: https://forms.gle/3s93dFk1vpFRkC2j8
If you want to attend in person, please RSVP to John…[Read more]
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Sarah Kirby started the topic CFP: Musicological Society of Australia 46th National Conference in the discussion
MSA Forum on Humanities Commons 2 years, 8 months agoThe Musicological Society of Australia is committed to advancing academic and public understanding and appreciation of music, an activity and resource that is fundamental to the wellbeing of individuals and communities and reaches into all areas of life. Accordingly, for the 2023 National Conference musicians of all kinds are invited to reflect on…[Read more]
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Eric Isaacson posted an update in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 8 months agoI am pleased to announce the publication on May 2, 2023, of my book, Visualizing Music, which is about the art of communicating about music through images. Is it available in hard cover, paperback, and e-book/Kindle editions. Scholars at all experience levels should find it useful.
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Paul Watt started the topic CFP: Musical Exchanges, Networks and Migrations to and from Australia in the discussion
MSA Forum on Humanities Commons 2 years, 9 months agoThe Musicology and Ethnomusicology Hub at the Elder Conservatorium of Music, The University of Adelaide, and the Musicology and Ethnomusicology Area of the Melbourne Conservatorium of Music, The University of Melbourne, invite you to a Research Round Table on the theme of Musical Exchanges, Networks and Migrations to and from…[Read more]
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Sarah Collins started the topic New issue of Music & Letters now available in the discussion
MSA Forum on Humanities Commons 2 years, 9 months agoThe latest issue (104.1) of Music & Letters is now available!
(https://academic.oup.com/ml/issue)
Articles:
James Burke, ‘The Custodial History of the Sadler Partbooks (Oxford, Bodleian Library MSS Mus. e. 1–5)’
Danielle Padley, ‘From Ancient to Modern: Identifying Anglicanism in an Anglo-Jewish Hymnal’
Esther M. Morgan-Ellis, ‘Mediated…[Read more]
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Sarah Kirby started the topic Seminar: Using the Eyes to Guide the Ears: On Visualizing Music Eric J. Isaacson in the discussion
MSA Forum on Humanities Commons 2 years, 10 months agoSeminar at UNSW Kensington, April 3, 12noon – All welcome
Using the Eyes to Guide the Ears: On Visualizing Music – Eric J. Isaacson (Indiana University)
Musical experience is ephemeral and unique to each person. To communicate about music, scholars therefore sometimes employ graphical musical representations. Such musical images can repr…[Read more]
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Tim Daly started the topic CFP Musical Topics and Performance: A Symposium in the discussion
MSA Forum on Humanities Commons 2 years, 10 months agoMUSICAL TOPICS AND PERFORMANCE PRACTICE: A SYMPOSIUM
(With apologies for cross-posting)
Date: 1-2 June 2023 Melbourne Conservatorium of Music |Faculty of Fine Arts and Music The University of Melbourne
Over the past four decades, the theory of musical topics has evolved into a powerful tool for studying the construction of meaning and…[Read more]
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Sarah Kirby started the topic CFP (articles): Musicology Australia in the discussion
MSA Forum on Humanities Commons 2 years, 10 months agoMusicology Australia is now calling for submissions for consideration for our 2023 issues.
Submissions are accepted at any time, and contributors are not required to write on Australian music or be Australian-based. Musicology Australia is the scholarly journal of the Musicological Society of Australia. Since its inception in 1963, the journal h…[Read more]
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Rachel Orzech started the topic Wagner Symposium: Rivers of Gold! Wagner in Bendigo, 22 April 2023 in the discussion
MSA Forum on Humanities Commons 2 years, 10 months agoWagner Symposium: Rivers of Gold! Wagner in Bendigo, 22 April 2023
A symposium held in collaboration with the Melbourne Conservatorium of Music, University of Melbourne.
Delve into Wagner’s works and their afterlives through a series of talks given by leading musicologists and performers. Full program and booking details available here: https://…[Read more]
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Paulino Capdepon deposited La capilla musical de la colegiata de Talavera de la Reina en la primera mitad del siglo XIX in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoAfter the period of splendour experienced by the musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina during the 18th century, we witnessed a period of decline, which was part of the crisis experienced by Spanish religious music during the 19th century. The effects of the War of Independence, the successive…[Read more]
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Paulino Capdepon deposited Música de tecla en la España del siglo XVIII: Domenico Scarlatti y el padre Antonio Soler in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on Spanish music in the 18th century, which experienced one of the most brilliant periods in its history. This was undoubtedly due to the splendour achieved by keyboard music, which reached an extraordinary level of development after the arrival in Spain of the Neapolitan composer Domenico Scarlatti (1685-1757), harpsichord…[Read more]
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Paulino Capdepon deposited El Patrimonio musical de Talavera de la Reina in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe musical chapel of the Collegiate Church of Santa María la Mayor in Talavera de la Reina is a significant case of how an ecclesiastical institution articulates the musical life of a city: in this sense, it can be stated that the main musical activity in the aforementioned Toledan city has revolved around the chapel of the Collegiate Church…[Read more]
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Paulino Capdepon deposited La recepción cervantina en el Romanticismo: la ópera Don Chisciotte de Manuel García (1826) [The reception of Cervantes in Romanticism: the opera Don Chisciotte by Manuel García] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe publication of Cervantes’ Don Quixote served as inspiration from the very moment of its creation for a whole series of artistic manifestations, among which those related to the art of sound stand out. Among the famous Spanish composers of Romanticism, the Sevillian composer Manuel del Pópulo García shines and stands out with his own light. H…[Read more]
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Paulino Capdepon deposited La transición al siglo XIX en la Catedral de Jaén: el maestro de capilla Ramón Garay (1761-1823) [The transition to the 19th century in Jaén Cathedral: the maestro de capilla Ramón Garay (1761-1823)] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on the personal and artistic career of one of the most representative composers of Spain in the second half of the 18th century and the first third of the 19th century. Ramón Garay, born in 1761 in Asturias, held the post of Chapel Master of Jaén Cathedral for 36 fruitful years, which saw the birth of an extraordinary p…[Read more]
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Paulino Capdepon deposited Decadencia e intentos de reforma de la música eclesiástica española en el siglo XIX [Decline and reform attempts of Spanish church music in the 19th century] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThis article focuses on the decline of Spanish ecclesiastical music from the beginning of the 19th century, coinciding with the outbreak of the War of Independence. This decline worsened as a result of the application of successive disentailments by the various liberal governments and the signing of the Concordat of 1851. To remedy this situation,…[Read more]
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Paulino Capdepon deposited La capilla musical de la Catedral de Segorbe en los siglos XVI y XVII [The chapel music at the Segorbe Cathedral in 16th and 18th centuries] in the group
Society for Music Theory (SMT) on Humanities Commons 2 years, 10 months agoThe music chapel of the Cathedral of Segorbe has historically played a primordial role in the history of Spanish music, constituting a focus of musical activity that attracted a numerous group of singers, instrumentalists, organists and chapel masters who formed part of the aforementioned chapel, whose antecedents date back to the mid-13th…[Read more]
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