Publications
Forthcoming
“Deep Listening: Early Computational Composition and its Influence on Algorithmic Aesthetics,” British Computer Society Electronic Workshops in Computing (eWiC) (April 2020).
Book Chapters
“Dirty Your Media: Artists’ Experiments in Digital Bio-Sovereignty,” chapter in The Aesthetics of Necropolitics, ed. Natasha Lushetich (London: Rowman and Littlefield, 2018).
Articles
Alex Estorick, with Cécile B. Evans, Jenna Sutela, Jonathan Yeo, Tiffany Funk, Luba Elliott, Anna Ridler, “From Wetware to Tilt Brush, How Artists Tested the Limits of Technology in the 2010s,” Frieze, December 18, 2019, https://frieze.com/article/wetware-tilt-brush-how-artists-tested-limits-technology-2010s.
“’A MUSICAL SUITE COMPOSED BY AN ELECTRONIC BRAIN’: Reexamining the Illiac Suite and the Legacy of Lejaren A. Hiller Jr. in Conceptual Art,” Leonardo Music Journal, 28 (December 2018).
“Would You Like to Play a Game?” The Video Game Art Reader, 1:1 (Fall 2017).
“The Prosthetic Aesthetic: An Art of Anxious Extensions,” Mid-America College Art Association Conference 2012 Digital Publications (2012).
Catalogs
Editor, Chicago New Media 1973-1992 exhibition catalog (VGA Gallery, 2018).
“Magic, the Future, and Code: Casting Coding within the Prosthetic Relationship,” Art2Code Catalogue, College Art Association and v1b3 (Winter 2016).
“The Man Who Pictured Space from His Apartment—A performance piece by Cupola Bobber,” Cue Art Foundation exhibition catalogue, 2007.
Interviews
“‘Scale’: The Sound of Interspecies Communication? Tiffany Funk interviews Marlena Novak,” Antennae: The Journal of Nature in Visual Culture 28 (Summer 2014): 50-59.
