This issue focuses on philosophical dispensations of seeing the world in a “mooded” way.

This chapter analyses the image production practices of the Goettingen university anatomist and natural historian Johann Friedrich Blumenbach (1752–1840) and the Berlin artis Daniel Chodowiecki (1726-1801) when they collaborated on Blumenbach’s Beyträge zur Naturgeschichte (1790). Blumenbach wanted Chodowiecki to produce family scences for each of…[Read more]

Two art exhibitions, “Training Humans” and “Making Faces,” and the accompanying essay “Excavating AI: The politics of images in machine learning training sets” by Kate Crawford and Trevor Paglen, are making substantial impact on discourse taking place in the social and mass media networks, and some scholarly circles. Critical scrutiny reveals,…[Read more]

Interpretations of the Theaetetus digression fail to see how it functions in Plato’s argument because they have taken its praise of the philosopher at face value. But this is not the philosopher from Republic. His otherworldliness reflects both Theodorus’ mathematical understanding of philosophy as the study of ‘divine’ objects and the judgeme…[Read more]

BIS REPETITA PLACENT! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

This study is a fresh analysis of a collection of scrolls and fragments grouped under the rubric, The Community Rule or Serekh ha-Yaḥad. As part of the manuscripts discovered in the Judean Desert, the Community Rule manuscripts are all fragmentary to various degrees, yet attest to important issues of legal dispute and community formation in the S…[Read more]

This is a critique of the logicist theory of truth and facts set forth in the final section of John R. Searle’s book ‘The Construction of Social Reality’ (1995). Searle’s logicist account, much in the line of his theory of speech acts, is contrasted to a pragmaticist and interactionalist perspective on truth, facts, and discourse. Keywords:…[Read more]

This essay was conceived as an ‘op-ed’ submission in response to the disturbing events in Washington D.C. this January. It is a practical application of the model of experience that was outlined in the paper ‘On Being Dimensional’. It offers a different perspective on the arguments that characterize a liberal and a conservative.

The field of Chinese Historical Phonology is traditionally dealing with a large number of complex and diverse types of data. While the data diversity can be conveniently dealt with in qualitative approaches, computational possibilities that have arisen during the past two decades offer new possibilities and new challenges for the field. In the…[Read more]

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A BIBLIOGRAPHY OF LITERARY THEORY, CRITICISM AND PHILOLOGY
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Spanish abstract: En su ‘Teoría de los sentimientos morales’ habla Adam Smith de cómo en la comunicación pública el espectador virtual que emana de nuestro discurso puede no coincidir con los receptores reales de dicho discurso. Y ve Smith en esa no coi…[Read more]

I take as a “jumping off place” for this reflection the Conclusion that Werner Brock, (DPhil) made to his lectures published as An Introduction to Contemporary German Philosophy (1935, Cambridge University Press). Following the observation of J. H. Muirhead in the Foreword, that “readers will draw their own conclusions from his presentation of hi…[Read more]

In an early version of his article “Harlem Literati in the Twenties,” first published in the Saturday Evening Review in 1940, Langston Hughes offers the curious suggestion that Wallace Thurman was the ghostwriter of Men, Marriage and Me (erroneously written as Men, Women and Checks in Hughes’ article), the tell-all memoir ostensibly by the origi…[Read more]

This paper follows Francois Laruelle’s non-philosophy and his non-religion and non-theology to suggest a non-philosophical approach to the sociology of religious pluralism. The entanglements of experiences of the religious end-user are analyzed vis-a-vis Laruelle’s thought and a dogma-free inclusive approach to religion is envisaged.

Leaning into the work of Marx, Engels, Lenin, Vertov, and Cunhal, I present a critical analysis of the dialectic of work and art.

Nöel Carroll has been one of the most eloquent proponents of an anti-essentialist view of art, in particular, of cinema. He seems to think that Stanley Cavell holds an essentialist view of film, put forward in his foundational work, The World Viewed, and developed in later essays and books. While Carroll admires Cavell’s philosophical readings of…[Read more]

Projects that bridge the humanities and sciences often attract attention from journalists, but evoke dismay from humanists who feel that their subjects of expertise have been misinterpreted. For the humanities to reclaim a place of pride in public conversation, humanists themselves need to embrace interdisciplinarity and take the lead in this…[Read more]