Have you ever thought about the language you speak? If the answer is yes, surely you might have wondered: Where does my language come from? How does it change? What are its relationships with other languages? How do its literary and cultural production reflect such evolution and connections? In this course we will approach classic works of Spanish…[Read more]

The aim of this course is to explore the cultural constructions of gender and sexuality in the literature of Medieval and Renaissance Southern Europe. We will approach questions such as the status of women and the context of misogyny, the societal role of same-sex relations, the presentation and visualization of sexuality, desire and the body. We…[Read more]

Spanish 260.001 is a methodological introduction to Hispanic Literature. We focus on three specific genres, Narrative, Poetry and Drama, and the course’s goal is to equip the student with the practical abilities to analyze a literary text in Spanish as well as with a basic knowledge of the major historical trends in Hispanic literature from its o…[Read more]

German abstract of:
Marco Heiles, Das Losbuch. Manuskriptologie einer Textsorte des 14. bis 16. Jahrhunderts, Köln/Weimar/Wien: Böhlau 2018, ISBN 978341251292.

German abstract of:
Marco Heiles, Das Losbuch. Manuskriptologie einer Textsorte des 14. bis 16. Jahrhunderts, Köln/Weimar/Wien: Böhlau 2018, ISBN 978341251292.

This paper articulates a model for examining medieval vernacular multi-text codices which
is based on the dynamics we see in the contemporary use of social media, particularly
personal blogs. Both media democratise the use of an existing specialised technology,
accelerate the development of this technology, and serve as vehicles for the…[Read more]

This paper discusses the literary, emotional and monastic relationship of Peter of Poitiers and Abbot Peter the Venerable, in particular looking at Peter of Poitier’s verse Panegyric in praise of his abbot, and Peter the Venerable’s subsequent verse Defence of his monk’s writings. The paper concludes that the Panegyric and its defence were part of…[Read more]

Received opinion based on scanty evidence and skimpy arguments holds that race and racism operate in important ways in Othello and Othello’s jealousy. Few specifically race-referential words and only one specifically racist image occur in the play, almost all in the first four scenes.

Brabantio’s, Roderigo’s, and Iago’s views are mistake…[Read more]

This bibliography is divided into three parts. The first two parts encompass medieval romances first available in English before 1558. Part I includes romances by unknown or little-known authors or translators which others, as noted, regard as romances. Part II includes romances by those who are well known: Caxton, Chaucer, Gower, Henryson,…[Read more]

A prose rendering of the earliest English medieval romance, adapted into chapters, annotated throughout, with an introduction.

Uses the survival of the English chivalric romance tradition throughout Shakespeare’s professional lifetime and his exploitation of that tradition especially in his major tragedies to challenge the commonplace distinction between the medieval and the renaissance on the one hand, and to suggest that his openness to that medieval tradition showed…[Read more]

Analyzes Spenser’s Red-Cross Knight and Shakespeare’s Edgar as chivalric knights in the tradition of English chivalric romance, and compares these writers’ attitudes toward the knights and the chivalry which they represent. Finds that, contrary to common interpretation, Spenser is the more modern, Shakespeare the more medieval, in their regar…[Read more]

0. Preliminaries provide the usual guides to contents and graphics, and an unusual statement of acknowledgments. It also provides a preface which explains my approach to prevent possible misapprehensions because of its debt to, but also its departure from, source and influence studies. It addresses various critical issues: genre because of…[Read more]

Chapter 2: The Survival of English Chivalric Romances provides an account of the documentary evidence of manuscripts, entries, printings, and adaptations which detail the survival of English chivalric romances. The discussion considers other cultural artifacts and related literary kinds which include materials from the tradition of these romances…[Read more]

The aim of this contribution is to review some of the major areas of current research on the Arabic Bible, along with the factors and trends contributing to them. Also we present some of the tools that are currently under development in the Biblia Arabica team, Munich.

We provide here a very condensed survey of the transmission of traditions,…[Read more]

This textual crux all modern editors unanimously and silently emend, from the Folio “he”, their copy text, to the Quarto “you.” Although they find F so nonsensical as to deserve no comment, Shakespeare, his company, and his audience found it not only sensible in a play involving jealousy, but also powerful. The difference between then and now…[Read more]

Surveys the contemporary and modern designations of the genre of Shakespeare’s Troilus and Cressida. Considers the gothic, not the humanistic, character of chivalric romance and the range of chivalric romances both idealistic and satirical. Accepting the medieval treatment of The Iliad as chivalric in nature, views Shakespeare’s play as a com…[Read more]

Transcription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.

Transcription of a tract on the plague from a German manuscript from ca 1463, Hamburg, Staats- und Universitätsbibliothek, Cod. germ. 1, fol. 51ra-rb.

This is a book review (pre-print) of the 2013 CIPL edited volume on scriptoria.