University of Lethbridge professor Kevin McGeough presents a meticulous and thorough three-volume series on the reception of Near Eastern culture, his- tory, and art in nineteenth-century Europe and America. Both in the introduction to the first volume and throughout the series, McGeough makes clear the fascination held by Western entities such as…[Read more]

Case study from the Getty’s digital art history team shows how modeling and machine learning are shedding light on the history of the art market.

This paper investigates the application of the legal stigma of infamia (disrepute) in Late Antiquity. The legal status is used as a lens through which to view the changing systemic, religious, and social landscapes between the reigns of Diocletian and Justinian, indicating the various uses and, ultimately, abuses of the status, as well as the…[Read more]

The Infancy Gospel of Thomas, like many apocryphal gospels, has been much transformed over the course of its transmission. Though composed in Greek in the second century, the gospel is extant in a number of other languages and a myriad of forms. The most well-known form is a 19-chapter version in Greek based on late manuscripts (none earlier than…[Read more]

This article considers a recent critical problematisation of the discussion of ›Otherness‹ in Merovingian archaeology (Halsall 2017), and extends this problematisation to the early mortuary archae- ology of post-Roman/early Anglo-Saxon England. The article first examines the literary goals of Gildas’ De Excidio et Conquestu Britanniae, and espec…[Read more]

Hugo Lundhaug and Lance Jenott offer a sustained argument for the monastic provenance of the Nag Hammadi Codices. They examine the arguments for and against a monastic Sitz im Leben and defend the view that the Codices were produced and read by Christian monks, most likely Pachomians, in the fourth- and fifth-century monasteries of Upper Egypt.…[Read more]

Live video streaming as a technique became political with the Arab Spring and the Occupy movement. To see images in real time and without the mediation by journalists affected many people not because they shared the same space with the various protesters but the same time. In the last years, artists have started to adopt streaming as a technical…[Read more]

Joseph and Aseneth is a pseudepigraphic hellenistic romance novel that elaborates on the biblical character of Joseph and his wife aseneth. an expansion of genesis 41: 45, the text describes how aseneth is transformed into a radiant bride t for Joseph, and is thereby associated with his god.1 previous studies may have overstepped the limits of…[Read more]

In this article, I address the challenge of fostering better student engagement with ancient material, and discuss my experience with designing a course around creative use of technology. In my recent course, “The Ancient Christian Church: 54–604 CE,” I employed several tactics to encourage student engagement with ancient and modern sources, which…[Read more]

This paper argues that 4 Ezra 14 represents the climax of the sensory revelations experienced by Ezra, and as such, that this is the episode which finally facilitates Ezra’s understanding of divine wisdom. In each of episodes one through six Ezra is incapable of making sense of what has been revealed to him, even though Ezra’s sensory rev…[Read more]

The open access movement has taken a strong hold within cultural heritage institutions, as large-scale digitization efforts are becoming increasingly popular in most libraries, museums, and archives. These initiatives have had a particular effect on the status of rare and unique materials through the provision of high-quality images and…[Read more]

Why do we play games—with and upon each other as well as ourselves? When are winners also losers, and vice-versa? How and to what end do we stretch the spaces of play? What happens when players go ‘out of bounds,’ or when games go ‘too far’? Moreover, what happens when we push the parameters of inquiry: when we play with traditional narrative…[Read more]

Through an engagement with theory from the fields of art history, anthropology, and sociology, this article examines the archival existence of medieval manuscripts and facilitates an understanding of archival practice and its effects on user experience from the perspective of the researcher, rather than from that of the archivist or information…[Read more]

Through a discussion of the materiality of photographic documents and the inherent qualities of digital objects, this article examines the viability of digitization as a method of archival photographic preservation. By exploring notions of surrogacy, originality, and aura, the author presents and deconstructs the popular argument that digital…[Read more]

Review of Pontormo, Bronzino, and the Medici: The Transformation of the Renaissance Portrait in Florence by Carl Brandon Strehlke

A Ph.D. dissertation considering nearly 200 sarcophagi from the late ancient necropoleis of Jewish communities at Beth She’arim and Rome. This corpus captures a wide range of the possibilities open to Jewish patrons as they went about acquiring or commissioning a sarcophagus and sculptural program. The variety reflects not only the different…[Read more]

The New Handbook of Syriac Literature (NHSL) is a born-digital TEI-encoded reference work for the study of Syriac literature. The first volume, Bibliotheca Hagiographica Syriaca Electronica, was published by Syriaca.org in 2016 using a simple TEI schema to describe a single genre (hagiography) (Saint-Laurent et al. 2016; see also Saint-Laurent…[Read more]

A brief essay about the work Past Won’t Pass (Catalog #52) by artist Noritaka Minami.