Paper for Session 10-L, Oecologies II: Terraqueous Transformations: Land, Water and Power in Early/Modern Contexts.

The recent surge of interest in Afrofuturism has resulted in some groundbreaking work looking at the ways technology and race intersect in film, fashion, music and literature, as is evidenced by the important collection of essays “Afrofuturism 2.0” (2016), edited by Reynaldo Anderson and Charles E. Jones. However there has not yet been an aca…[Read more]

A series of derivative verses from the late-third century has pride of place in one of the foundational collections of Chinese poetry. These verses, “Filling out the Missing Odes” by Shu Xi, can be found at the beginning of the lyric-poetry (shi 詩) section of the Wenxuan. This essay seeks to understand why such blatantly imitative pieces may have…[Read more]

Marco Heiles: Topography of German Humanism 1470–1550. An Approach, Essay, University of Oxford 2010.
The maps are also available as website: Marco Heiles, Topography of German Humanism 1470–1550 (2011),
https://topography-german-humanism.artesliteratur.de/index.html.

Marco Heiles: Topography of German Humanism 1470–1550. An Approach, Essay, University of Oxford 2010.
The maps are also available as website: Marco Heiles, Topography of German Humanism 1470–1550 (2011),
https://topography-german-humanism.artesliteratur.de/index.html.

This article explores three facets of green space within a medieval monastic context: its origin, its effects and properties and the way it was shaped into an expression of power. We learn a great deal about the history of green space through the nuances of monastic thought and vice versa. The term ‘green space’ in a medieval context may ini…[Read more]

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

Through a comparative analysis of Chaucer’s “The Clerk’s Tale” and Lars von Trier’s film “Breaking the Waves,” this essay wonders what happens when two texts and one reader happen to each other and open up a singular adventure that is also a moment of ‘futurition’ that opens up new horizons of meaning, both human and inhuman. How can we reckon the…[Read more]

This essay argues, through various personal anecdotes, for a university in which our work and lives would turn away from impersonal professionalism and more towards a praxis where we would recognize better, as Brantley Bryant has written, that our “very strength, our very expertise, comes from darkness, indeterminacy, unmarketably disastrous…[Read more]

A plea for more generous modes of reading each other’s scholarship in order to arrive at a University that values productive dissensus within a framework of shared endeavor and solidarity. The essay also argues for new relational modes in which personal, professional and other identities would be rejected in favor of cruising each other’s thought and work.

An overview of the “state of the field” of critical post/humanist studies that also argues for the important intervention of premodern studies into contemporary post/humanist studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio State…[Read more]

André de la Vigne (1470?-1526?) in the manuscript of his “Mystère de Saint Martin,” performed in the town of Seurre in October 1496, also included a “moralité” and a “farce.” Although they are positioned at the conclusion of the “mystère,” these short plays were undoubtedly integral to the larger performance. At the same time they are via…[Read more]

Diplomatische Transkription nach
Halle (Saale), Universitäts und Landesbibl., Yg 2° 7 , fol.
77 rb 86 r (Oberösterreich, um

Die Minnereden ‘Der Spalt in der Wand’ und ‘Klage einer jungen Frau’. Synoptische Abdruck nach Cgm 270 und Cgm 379

Diplomatische Transkription und Leseversion nach Freiburg, Universitätsbibliothek, Hs. 1500,7, fol. 38r-43v