The adverb ungemete, unigmetes in Beowulf and elsewhere in Old English verse creates significant metrical problems. I revive and expand the proposal of Fulk (1992) to read this as *unmet. This restoration receives support from metrics and from the comparison with Old Saxon unmet of the same meaning, and the alteration to ungemet(e), etc., in the…[Read more]

Eduard Sievers’ Altgermanische Metrik remains a foundational work for Germanic metrical research, even 125 years after its publication in 1893. His impact on the field may be roughly divided into three broad approaches: 1) the impulse for the typological categorization and labelling of verses; 2) the four-position principle as the basis for a…[Read more]

Overlooking Lago di Orta in the foothills of the Northern Italian Alps, the Renaissance-era Sacro Monte di Orta (a UNESCO World Heritage site) is spectacle and hagiography, theme park and treatise. Sacro Monte di Orta is a sacred mountain complex that extolls the life of St. Francis of Assisi through fresco, statuary, and built environment.…[Read more]

This article presents the collation map, a diagrammatic method for visually mapping the texts of complex medieval Western manuscripts against their material structures. Beginning with an overview of collation formulae – currently the most frequently used method of representing collation – the article argues that the collation map is a more use…[Read more]

Vladimir Nabokov’s “Lolita” is known for its seductive writing despite its destructive subject matter. How does this novel accomplish such a juxtaposition? How does the novel keep the reader interested despite Humber blatantly attacking Dolores Haze? This essay explores critically explores the technical method which Nabokov uses in “Lolita.” The…[Read more]

Prior to the advent of the printing press, the page—the medieval manuscript page—was often complexly multimodal, containing elaborate scripts, rubrications, and illuminations; the medieval page was a multimedia experience for its community of readers, viewers, and listeners. Both writing and the page are, and always were, visual: rendered in mul…[Read more]

El presente artículo es un sucinto repaso del devenir histórico y tecnológico de PhiloBiblon, uno de los proyectos pioneros en las Humanidades Digitales aplicadas al estudio de las fuentes primarias de las literaturas hispánicas e ibéricas escritas durante la Edad Media y el Renacimiento. La historia del proyecto tiene como hilo conductor las dife…[Read more]

El presente artículo es un sucinto repaso del devenir histórico y tecnológico de PhiloBiblon, uno de los proyectos pioneros en las Humanidades Digitales aplicadas al estudio de las fuentes primarias de las literaturas hispánicas e ibéricas escritas durante la Edad Media y el Renacimiento. La historia del proyecto tiene como hilo conductor las dife…[Read more]

This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.

This paper examines the responses to the 1954 BBC adaptation of Nineteen Eighty-Four, as held by the BBC Written Archives Centre, in the light of the British Horror Comics campaign of the mid-1950s.

This article deals with representations of Christian-Islamic confluence in the medieval Portuguese genealogical compilation known as Livro de Linhagens do Conde D. Pedro (Count Pedro’s Book of Lineages), assembled in the mid-fourteenth century by Count Pedro of Barcelos. Several narratives dealing with the non-military interaction of Christians a…[Read more]

This article deals with representations of Christian-Islamic confluence in the medieval Portuguese genealogical compilation known as Livro de Linhagens do Conde D. Pedro (Count Pedro’s Book of Lineages), assembled in the mid-fourteenth century by Count Pedro of Barcelos. Several narratives dealing with the non-military interaction of Christians a…[Read more]

The influential Tamil writer Pudumaippittan turned to the short story to theorize the relationship between literature and society in the late-colonial era. He used the genre’s brevity to compress his portrayals of well-known female types—such as widows, prostitutes, and goodwives—into singular emotional events. This enabled Pudumaippittan to evoke…[Read more]