La Iglesia Católica en Cuba, guiada por los principios emanados desde la Santa Sede y la Doctrina Social de la Iglesia, desarrolla su acción social y de evangelización adaptada a las particularidades de la nación y su cultura. No obstante, se enfrenta a considerables desafíos en su labor comunicativa debido a la infraestructura limitada de Inte…[Read more]

This is a revised 2023 version of a course was first taught at the University of Massachusetts Amherst in fall 2018. It addresses feminism, gender and sexuality studies, queer theory, and critical race and ethnic studies in conjunction with translation studies.

El estudio de la comunicación de bien público constituye un imperativo para aumentar la conciencia crítica de las audiencias sobre determinadas problemáticas. En cambio, constituye una categoría con limitada fundamentación teórica, conceptual y metodológica. En la producción de los medios de comunicación latinoamericanos se fragmentan las probl…[Read more]

Until now, critics have shown little interest in the bouquet of aromas and scents that permeate the linguistic fabric of À la recherche du temps perdu , to the point of forming an olfactory (and cognitive) underlay. The aesthetic impact of these odors warrants further investigation, starting with a reconstruction of the “problem of smell” in Prou…[Read more]

Makes use of the opportunity of the release of “Oppenheimer” to explore how Gene Wolfe uses his texts as factories into which guilt is inserted, but emerge ameliorated. Narrative serving the primary purpose of restructuring subconscious memory.

Abstract of panel organized by the Sephardic Studies Discussion Group for the 2024 MLA Annual Convention.

The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.

This article details the historical factors that shaped Hollywood’s adoption of magnetic recording during the late 1940s and early 1950s. It draws upon economic theories of technological change, archival correspondence, technical records, analyses of postproduction workflows, and delineations of the structural constraints that limited how the f…[Read more]

This chapter investigates how the introduction of stereo complicated Hollywood’s vococentric practices. It also reveals how sound technicians developed mixing techniques that preserved the salience of dialogue in multi-channel soundscapes. The author refers to such techniques as monocentrism and illustrates monocentric norms by analyzing the c…[Read more]

Death, as well as sleep, seem to leave us facing the category of the unspeakable. This paper aims at studying Proust’s novel from this point of view, examining the paradox of a writing that crosses the threshold between what can be said and “what cannot be said but must nevertheless be heard” (Blanchot). We intend to analyze the discursive and r…[Read more]