The friends, followers, and fans of Robert Devereux, 2nd Earl of Essex, made no small contribution to the world of early modern English letters. This essay contributes to our growing understanding of the Essex circle’s literary afterlife by contextualizing BL Additional MS 18638, an early seventeenth-century manuscript containing a partial English…[Read more]

The friends, followers, and fans of Robert Devereux, 2nd Earl of Essex, made no small contribution to the world of early modern English letters. This essay contributes to our growing understanding of the Essex circle’s literary afterlife by contextualizing BL Additional MS 18638, an early seventeenth-century manuscript containing a partial English…[Read more]

In Shakespeare’s Richard II, the dramatic function of Thomas of Woodstock (King Richard’s murdered uncle) has long been a source of contention and confusion. This essay argues that Woodstock’s role in the play cannot be understood without reference to Richard II’s “prehistory”: the complex series of political circumstances and events that predat…[Read more]

In Shakespeare’s Richard II, the dramatic function of Thomas of Woodstock (King Richard’s murdered uncle) has long been a source of contention and confusion. This essay argues that Woodstock’s role in the play cannot be understood without reference to Richard II’s “prehistory”: the complex series of political circumstances and events that predat…[Read more]

Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish Tragedy, there has been little systematic discussion of how revenge fared as a dramatic theme before Kyd’s inaugural work. This essay reexamines the importance of revenge in early Elizabethan drama, by broadly surveying its thematic and rhe…[Read more]

Though it is a critical commonplace that English revenge tragedy began with Thomas Kyd’s The Spanish Tragedy, there has been little systematic discussion of how revenge fared as a dramatic theme before Kyd’s inaugural work. This essay reexamines the importance of revenge in early Elizabethan drama, by broadly surveying its thematic and rhe…[Read more]

The late Elizabethan Period was marked by socio-economic discontent. Amid this,
Shakespeare’s Julius Caesar (1599) featured a prominent debate: whether or not
tyrannicide could solve problems. Around 1599, Essex formulated a like-minded
political revolution only to dismiss it until 1601. Yet, as providentialist and
republican debates failed t…[Read more]

The late Elizabethan Period was marked by socio-economic discontent. Amid this,
Shakespeare’s Julius Caesar (1599) featured a prominent debate: whether or not
tyrannicide could solve problems. Around 1599, Essex formulated a like-minded
political revolution only to dismiss it until 1601. Yet, as providentialist and
republican debates failed t…[Read more]

BL Additional MS 17492, the so-called Devonshire Manuscript of Henrician courtly verse, is a prime example of how social and cultural phenomena contributed to early modern manuscript culture. Among the treasures of the Devonshire MS is a series of lyrics that chronicles a fascinating courtly intrigue of the 1530s: the illicit, clandestine marriage…[Read more]

This essay argues that humanist reading practices, methods of analysis, and aesthetics transformed traditional morality drama in the 1560s and 1570s in a way that accounts for the form’s resurgence. The essay looks closely at Ulpian Fulwell’s “Like Will to Like” (1568), William Wager’s “The Longer Thou Livest the More Fool Thou Art” (1569) and…[Read more]

On the basis of the assumption that poetic response to Edward Said’s Orientalism is
rare, this article seeks to read three post-9/11 American poems on Afghanistan – “The Weavers” and
“Burka Women” by Gerald Wheeler, and “Kabul 2002 (From Dislocations)” by Dr. Bronwyn Winter – as a
significant intellectual departure from the standpoint alle…[Read more]

To move global Shakespeare studies beyond the more limiting scope of nation-state and cultural profiling, I would like to propose we consider a number of critical concepts as methodology. These concepts critique the limitations of cartographic imagination, and connect the performance site to spaces of knowledge production: (1) the site of…[Read more]

A focus on Launcelot Gobbo as middleman and unfaithful servant enables an expanded reading of discourses of economics in The Merchant of Venice. In addition to the mercantile modes of Antonio and Shylock, the play also includes a transactional perspective in Launcelot as well as Portia’s fantasy of cornucopia. The chapter is part of Linda…[Read more]

A focus on Launcelot Gobbo as middleman and unfaithful servant enables an expanded reading of discourses of economics in The Merchant of Venice. In addition to the mercantile modes of Antonio and Shylock, the play also includes a transactional perspective in Launcelot as well as Portia’s fantasy of cornucopia. The chapter is part of Linda…[Read more]

The article focuses on the adaptation strategies used by Lope de Vega in his play El Gran Duque de Moscovia y emperador perseguido (1617). This tragedy, built on material acquired from travelogues, represents the first depiction of the Russian Time of Troubles in fiction. In it, one can follow Lope de Vega’s shift from preserving the factual d…[Read more]

In the 2018 MLA Convention, the Luso-Brazilian Forum organized a meeting to remember Professor Antonio Candido (1918-2017), on January 6, 7:15-8:30 PM. This posting collects most papers read at the meeting. Should you be interested in contributing your own remembrance, or reflections on Candido’s career, please send them to me on the Commons. I…[Read more]

Establishing a meaningful digital identity is essential to managing one’s scholarly and professional reputation. This workshop addresses ways to cultivate an online identity and offers guidance on “going public” using tools and strategies for building a community around your work. Topics include social media, writing for different audiences, perso…[Read more]