Publications

“Lost/Found,” in Shakespeare/Text: Contemporary Readings in Textual Studies, Editing and Performance, Arden Critical Intersections, ed. Claire M. L. Bourne (London: Bloomsbury, 2021), 360–82.

“The Fortunes of Fletcher’s ‘Against Astrologers’,” Modern Philology 118 (2020): 130–57.

“The ‘Lost’ Scenes from The Merry Wives of Windsor: Robertson Davies’s Shakespearean Hoax,” University of Toronto Quarterly 89 (2020): 163–87.

“Shakespeare’s Ruined Quires,” in Loss and the Literary Culture of Shakespeare’s Time, ed. Roslyn L. Knutson, David McInnis, and Matthew Steggle (Palgrave Macmillan, 2020), 23–40.

“William Percy’s Logical Song,” Medieval and Renaissance Drama in England 32 (2019): 163–202.

“The ‘Indecipherable’ Line of the Love’s Labour’s Won Bookseller’s List,” Notes & Queries 66 (2019): 69–82.

“Prophecy and Emendation: Merlin, Chaucer, Lear’s Fool,” postmedieval 10 (2019): 50–67.

“The Terence Editions of Thomas Marshe,” Papers of the Bibliographical Society of America 113 (2019): 69–82.

“Black Comedy: Shakespeare, Terence, and Titus Andronicus,” ELH 85 (2018): 877–908.

“Against Friendship: An Essay by the ‘Wizard’ Earl of Northumberland,” English Literary Renaissance 47 (2017): 380–411.

“Spenser’s Chrysogone and Euripides’ Medea,” N&Q 64 (2017): 254–55.

“Richard Topcliffe’s Informant: New Light on The Isle of Dogs,” Review of English Studies 68 (2017): 44–59.

“Tamburlaine in Ludlow, Again: Onomastic Evidence Reconsidered,” N&Q 63 (2016): 464–66.

“Chaucer Folios in Colonial America: A Correction,” The Chaucer Review 51 (2016): 503–14.

“Documents” (rev. ed.), The Norton Shakespeare, 3rd ed., gen. ed. Stephen Greenblatt (New York: Norton, 2015). Print (10 pp.) and online (73 pp.).

“The Admiral’s Vayvode of 1598,” Early Theatre 18.1 (2015): 79–99.

“Brute Parts: From Troy to Britain at the Rose, 1595–1600,” Lost Plays in Shakespeare’s England, ed. David McInnis and Matthew Steggle (New York: Palgrave Macmillan, 2014), 127–47.

“The Anxiety of Auctoritas: Chaucer and The Two Noble Kinsmen,” Shakespeare Quarterly 63 (2012): 544–76.