Audiences are experiencing a growing apprehension and distrust of interaction in art and a reluctance to engage with art that employs it. Interactive art can be categorised in broadly two ways: works that are highly technological or works that are highly social. While apprehension of interaction in art has always existed it is proposed that rather…[Read more]

From 1852 the Hôtel Drouot was the space where the French auctioneers (Commissaires-Priseurs) – who held a stately sanctioned monopoly – organized their auctions. By processing data from the art auction catalogue repertory by Frits Lugt and the extended version Art Sales Catalogues Online, it is possible to map the networks of art marketing at…[Read more]

The following text presents an online project, which has been developed since April 2007 with a duration of five years on the initiative of the Kunstgeschichtliches Institut in Frankfurt and the Kunsthistorisches Institut in Florence, together with the partner institutions Städel Museum and Historisches Museum in Frankfurt and jointly financed by…[Read more]

The city of Lucca was never limited to the urban area within the walls. Autumn and winter would be lived in the city palazzo, with life concentrating upon commercial activities enlivened by entertainments such as music and theatre. In spring and summer life was relocated en masse to the villa. This article outlines the essentials of Lucchese…[Read more]

The garden theatre can take many forms: it can erupt forth in an explosion of water and sound as in the teatro d’acqua; it can appear carved into a hedge as a teatro di verzura; or it can calmly wait to be filled with performers as in a teatro avanti il palazzo. The garden theatre was first a feature of the Baroque garden in Italy, before f…[Read more]

In the summer of 1704, Antonio Vallisneri (1661–1730), the preeminent Italian physician and natural philosopher of his time, traveled with a “daring soul” and “trembling feet” across the “silent horrors” of the northern Apennines: down the hills south of Reggio Emilia to northern Tuscany and the western edge of his native land, the Province of G…[Read more]

in: Nel nome di Lazzaro. Saggi di storia della scienza e delle istituzioni scientifiche tra il XVII e il XVIII secolo, edited by Centro Studi Lazzaro Spallanzani, Bologna, Edizioni Pendragon, 2014, pp. 207-220.

Scholarship on the Pearl-poem has seen a significant jump in recent years, due largely to the influx of eco-critical readings throughout Medieval studies. Gillian Rudd’s recent book Greenery: Ecocritical Readings of Late Medieval English Literature explores a new and exciting reading of the poem’s natural environment, claiming that the rose met…[Read more]

Syllabus for an undergraduate course on Erving Goffman.

A syllabus for an undergraduate animal studies course.

An MA thesis discussing the role of vegetal offerings in Roman religion, and the shift in attitudes towards them in the first centuries CE

The promulgation of pollution control regulations governing factory farms has led to a striking new way of representing and intervening in the bodies of farmed animals: the body is being represented as a source of pollution, and various technological interventions, from genetic engineering to dietary changes, are being deployed to reduce pollution…[Read more]

This article examines Farm Sanctuary’s failed effort to save the Enviropigs. In the Spring of 2012, after losing the main source of funding for its Enviropig project, the University of Guelph, in Ontario, Canada, killed the last sixteen members of this line of transgenic pigs, despite Farm Sanctuary’s offer to place them in permanent homes. The…[Read more]

An examination of taxonomic bias in the field of animal studies.

Roadkill is disgusting. Many people just want it removed from the roads as quickly as possible, and they don’t care where it goes. In Pennsylvania, most of the deer carcasses that are collected from the roads end up in landfills. But is this a respectful way to treat the dead? And what about the vultures and other scavengers who would otherwise e…[Read more]

Review of the book “The Vesuvian Eruption of 1631: an Early Modern History” (by Alfonso Tortora)

By the end of the sixteenth century, many Jesuit colleges had become centers of excellence all over Europe for such disciplines as mathematics, astronomy, hydraulics, and mechanics. Not a few members of the order provided influential contributions to science: in the case of the study of waters, the inquisitive eye of Jesuits took part in the l…[Read more]

Since its first attempts to understand natural phenomena, early modern science devoted great attention to the problematic issue of the origin of springs. This essay examines the lively debate that emerged from the studies on fresh water during the years spanning from the mid-sixteenth century to the early eighteenth. By focusing on the…[Read more]

In 1687, after he graduated in Medicine, young Antonio Vallisneri (1661-1730) returned in the Duchy of Modena and Reggio. In those years he mainly served as general practitioner; nevertheless, he also devoted many studies to various aspects of the natural sciences. He performed many observations, accurately reporting them in seven “Quaderni”…[Read more]

This article invites us to consider the usefulness of iconography as a method to describe the subjects represented in medieval works of art. In this study, a greater emphasis has been put on investigating the epistemological implications resulting from the use of that method, and the biases that may appear in the process of transforming images…[Read more]