-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs's profile was updated on Humanities Commons 9 years ago
-
Andrew Jacobs deposited “Solomon’s Salacious Song”: Foucault’s Author Function and the Early Christian Interpretation of the Canticum Canticorum on Humanities Commons 9 years ago
The transformation of the erotic Song of Songs into a mystical tract on the soul’s love for Christ was surely one of the great exegetical feats of late ancient Christianity. Recent work on the politics of meaning leads us to interrogate more closely the processes by which early Christian exegetes achieved that feat, and how their interpretations…[Read more]
- Load More
Open access, open source, open to all