This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]

A review of “Gillian Wearing and Claude Cahun: Behind the Mask, Another Mask,” catalogue for the eponymous 2017 exhibition at the National Portrait Gallery, London.

List of Texts for A Select Concordance of Some 400 Middle English Texts: A Study of Wycliffite Discourse with Particular Discussion of the Issues of Contemporary Poverty, Pious Practice, Substantive Law, and Anticlerical Style’ (unpub. Ph.D. thesis, University of Hull, 2007).

A part of the special issue of DHQ on feminisms and digital humanities, this paper takes as its starting place Greg Crane’s exhortation that there is a “need to shift from lone editorials and monumental editions to editors … who coordinate contributions from many sources and oversee living editions.” In response to Crane, the exploration of t…[Read more]

This is the book of abstracts for the 2009 Theatre & Performance Research Association (TaPRA) conference, held at the University of Plymouth, UK. Over 200 delegates were welcomed at this conference, which took place from 7-9 September 2009 in the Roland Levinsky Building. International Guests: Professor Susan Bennett (University of Calgary) and…[Read more]

An essay that weaves historical perspectives with a unique interpretation of Kerensa Dewantoro’s performance art of Menjahit Marat Sade/ Sewing Marat Sade in Urban Kampong Dago Pojok, Bandung-Indonesia

An essay that weaves historical perspectives with a unique interpretation of Kerensa Dewantoro’s performance art of Menjahit Marat Sade/ Sewing Marat Sade in Urban Kampong Dago Pojok, Bandung-Indonesia

The 15th Jakarta Biennale’s curatorial premise, Siasat (Tactic) identified artists and art works which demonstrated how individuals and communities, especially in urban Indonesia, cope with social inequality, environmental pressure, and poverty. The resulting exhibition raised questions relevant to recent scholarship around relational aesthetics a…[Read more]

Car Free Day has become a contested aren of production and consumption where by a contemporary social and cultural transformation of space also forms a new contemporary composite agencies of urban public in the city of Bandung, West Java. Such agencies also shape a new identity for the image of a city landmark. The cit appears to prioritize its…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Public space as a visual spectacle contributed for discovery and possible strengthening of new rhetorics outside the planning sector. Contestation of public space featuring various aspects of life residents, including; economy, entertainment, politic, and life style. One of the paradox emerging from this, manifest in the use of public space that…[Read more]

The Pasupati flyover (Pasteur-Surapati) connecting Bandung to Jakarta has become a new symbol for the city. Recent policy has made the space located under the bridge, transformed from ‘dead space’ into a socially-significant urban space for marginal people governed by many stakeholders and consequently a contestation of multiple and con…[Read more]

The 15th Jakarta Biennale’s curatorial premise, Siasat (Tactic) identified artists and art works which demonstrated how individuals and communities, especially in urban Indonesia, cope with social inequality, environmental pressure, and poverty. The resulting exhibition raised questions relevant to recent scholarship around relational aesthetics a…[Read more]

Car Free Day has become a contested aren of production and consumption where by a contemporary social and cultural transformation of space also forms a new contemporary composite agencies of urban public in the city of Bandung, West Java. Such agencies also shape a new identity for the image of a city landmark. The cit appears to prioritize its…[Read more]

Kampong Dago Pojok is a local neighborhood within the Dago area of Bandung, an area well-known for its cultural and artistic activities which have contributed significantly to the development of Bandung as a ‘creative city’ in the early 2000s. This paper draws on a participatory research method to explore the lived experiences and creative pra…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Public space as a visual spectacle contributed for discovery and possible strengthening of new rhetorics outside the planning sector. Contestation of public space featuring various aspects of life residents, including; economy, entertainment, politic, and life style. One of the paradox emerging from this, manifest in the use of public space that…[Read more]