“Foreword.” YILLIK: Annual of Istanbul Studies 2 (2020): 3

This exhibition review examined “Agnes Pelton: Desert Transcendentalist,” recently on view at the Whitney Museum of American Art in New York City. This exhibition is a traveling show and this venue was its second installation.

The genesis and growth of minerals, as well as the existence in ore veins of such organic features as ‘seeds’, ‘matrices’, and ‘nourishment’, remained central and recurrent issues for natural philosophers, technicians, alchemists and practitioners throughout early modern Europe. By providing an overview of the main themes, voices, and concurrent…[Read more]

Graphic design, as a specific research discipline, has been largely underrepresented in academia, with the literature suggesting this is partially due to difficulties in researching its professional practitioners. Acknowledging such hurdles, this article discusses an experimental study that used dramaturgy as a defamiliarising method for…[Read more]

John R. Palandech was a well-known immigrant publisher, politician, and entrepreneur in Chicago from the Gilded Age to the post–World War II era. This article retraces his biography and crosses it with the transatlantic political, cultural, and economic world Palandech was a part of and actor in. At the core of this study is a collection of l…[Read more]

Paper delivered at Cornell University, March 7, 2013 to the Department of Near Eastern Studies.

Introduction to The Routledge Handbook of Translation and Activism

It took Pedro Costa four feature films to get to “Horse Money” (“Cavalo Dinheiro”, 2014). In Down to Earth (Casa de Lava, 1994), a Portuguese nurse accompanies an immigrant worker in coma from Lisbon to his homeland, the Cape Verdean island of Fogo. “Bones” (“Ossos”, 1997), In “Vanda’s Room” (“No Quarto da Vanda”, 2000), and “Colossal Youth” (“Ju…[Read more]

Papers focusing on the urban environmental history of fires are invited for a panel to be submitted to
the European Society for Environmental History conference, which will be held at the
University of Bristol in July 2021.

Buena Risa Social Club es un performance humorístico-musical del cantautor cubano-mexicano Alejandro García Villalón “Virulo”, quién lo presentó en el Café Antropía (León de Los Aldama, Guanajuato, México) el 30 de noviembre de 2018. Al tener en cuenta los pocos estudios realizados sobre sus composiciones performativas, para la presente com…[Read more]

Con el presente trabajo se busca allanar la zanja que existe entre los abordajes tradicionales del discurso musical y los estudios de performance. Para la realización de investigaciones artísticas sobre performances musicales se debe tener en cuenta dicha expresión como subjetividad cambiante a lo largo de su devenir histórico, construido en las…[Read more]

La pluralidad discursiva manifiesta en la música cubana se ha encontrado enmarcada en una realidad estético-musical cambiante, causada por una postmodernidad social cada vez más abierta a la globalización de las expresiones culturales de los pueblos. Es dentro de esta dinámica creativa que se encontraron inmersos los performances musicales del…[Read more]

En este trabajo analizamos Los empeños de una casa de Sor Juana Inés de la Cruz, una versión de la comedia de capa y espada en la que los valores patriarcales se critican y subvierten, mientras que los personajes femeninos adquieren complejidad y un inusitado protagonismo, pues en ellos se refleja cómo las mujeres de la época encaran los obst…[Read more]

Interview with Martha Hennessy, the granddaughter of Dorothy Day, co-founder of the Catholic Worker, on her life, her anti-nuclear and peace activism, and ongoing trial as part of the Kings Bay Plowshares 7.

In the summer of 2018, I visited Nancy Fraser at her home to conduct an interview on the various social, economic, and political struggles of our day. From the fight against neoliberalism to the movements challenging the far-right, Fraser analyzes our contemporary situation, remaining firmly rooted in the Marxist tradition. Central to Fraser’s…[Read more]

In the year 1397 in the parish of Tuttington (Norfolk), a woman whose name is lost to history, frantic to rid herself of the evil spirit that possessed her, turned to suicide. She attempted first to hang herself, but her husband discovered her while life remained in her body, cut down the rope, and comforted her. A few weeks later she tried once…[Read more]

An examination of three cases of judicial separation from the late medieval court of York.

Since the publication of Philippe Aries’ Centuries of Childhood in the early 1960’s, historians of the family have been intrigued by the prospect of a history of change in familial sentiment. 1 Aries’ study of attitudes about children from the Middle Ages to the eighteenth century, based primarily on art and material evidence, demonstrates…[Read more]

This paper asks us to rethink the boundaries between consent and coercion in medieval England. From gentle persuasion to threats and abuse, coercion was a part of the courtship process. Although late medieval society expected parents to play an active, even heavy-handed, role in matchmaking, the English church recognized the possibility that…[Read more]