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Sujata Iyengar deposited Upcycling Shakespeare: Crafting Cultural Capital on Humanities Commons 6 years, 6 months ago
In this paper I argue that the flowering of adaptation and appropriation surrounding Shakespeare indicate not a holy “bard” who is the apotheosis of Western culture but an ambiguous Shakespeare who provides a creative space for artisans and artists (among whom, I will suggest, we can include critics and scholars). Having identified a “Sh…[Read more]
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Sujata Iyengar deposited Strangeness: Early Modern European Women and the Invention of Whiteness in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoThe Afterword to this EMLS Special Issue “European Women in Early Modern English Drama” contextualizes this collection in light of our continued scholarly and social investigation into the invention of “whiteness” and of a pan-European identity. It argues that texturing the flat surface of “whiteness” and “Europeanness” can enable us to “…[Read more]
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Sujata Iyengar deposited Strangeness: Early Modern European Women and the Invention of Whiteness on MLA Commons 6 years, 6 months ago
The Afterword to this EMLS Special Issue “European Women in Early Modern English Drama” contextualizes this collection in light of our continued scholarly and social investigation into the invention of “whiteness” and of a pan-European identity. It argues that texturing the flat surface of “whiteness” and “Europeanness” can enable us to “…[Read more]
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Sujata Iyengar deposited Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoThis essay argues that Claudia Rankine’s Citizen: An American Lyric (2014) deploys feminist intermediality to appropriate Othello in the service of a highly nuanced womanist aesthetics. The essay defines and offers examples of some important theoretical approaches, including: appropriation studies; intersectional feminism; intermediality; w…[Read more]
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Sujata Iyengar deposited Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoThis essay argues that Claudia Rankine’s Citizen: An American Lyric (2014) deploys feminist intermediality to appropriate Othello in the service of a highly nuanced womanist aesthetics. The essay defines and offers examples of some important theoretical approaches, including: appropriation studies; intersectional feminism; intermediality; w…[Read more]
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Sujata Iyengar deposited Hamlet (RSC, 2016) and representations of diasporic blackness in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoIn 2016 Paapa Essiedu, a British actor of Ghanaian ancestry, starred as Hamlet in Simon
Godwin’s lauded Royal Shakespeare Company (RSC) production, set in a post-colonial
African state whose non-specificity nonetheless irritated some reviewers. We contend,
however, that the production mixed multiple referents of blackness (Eastern A…[Read more] -
Sujata Iyengar deposited Hamlet (RSC, 2016) and representations of diasporic blackness in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoIn 2016 Paapa Essiedu, a British actor of Ghanaian ancestry, starred as Hamlet in Simon
Godwin’s lauded Royal Shakespeare Company (RSC) production, set in a post-colonial
African state whose non-specificity nonetheless irritated some reviewers. We contend,
however, that the production mixed multiple referents of blackness (Eastern A…[Read more] -
Sujata Iyengar deposited If Ophelia were Macro, not Micro in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoBecause of a series of miscommunications, I originally wrote a 6000-word essay for the Cambridge Guide to the Worlds of Shakespeare on Ophelia and Popular Culture rather than the 1500 words that it turned out they wanted. Bruce R. Smith graciously let me go up to 3000 words, and I republished some of my research in other articles, but some of this…[Read more]
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Sujata Iyengar deposited Introduction: Shakespeare’s Discourse of Disability in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoNon-copy-edited MS Word doc of the intro to my edited collection _Disability, Health, and Happiness in the Shakespearean Body (Routledge, 2015), uploaded in accordance with publisher’s Green OA policies.
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Sujata Iyengar deposited Introduction: Shakespeare’s Discourse of Disability in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoNon-copy-edited MS Word doc of the intro to my edited collection _Disability, Health, and Happiness in the Shakespearean Body (Routledge, 2015), uploaded in accordance with publisher’s Green OA policies.
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Sujata Iyengar deposited Shakespeare’s Embodied Ontology of Gender, Air and Health in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoThis is the non-copy-edited Microsoft Word manuscript of my chapter in the edited collection _Disability, Health, and Happiness in the Shakespearean Body_ (Routledge, 2015), uploaded in accordance with the publisher’s “Green OA” rules.
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Sujata Iyengar deposited Shakespeare’s Embodied Ontology of Gender, Air and Health in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoThis is the non-copy-edited Microsoft Word manuscript of my chapter in the edited collection _Disability, Health, and Happiness in the Shakespearean Body_ (Routledge, 2015), uploaded in accordance with the publisher’s “Green OA” rules.
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Sujata Iyengar deposited Woman-Crafted Shakespeares: Appropriation, Intermediality, and Womanist Aesthetics on MLA Commons 6 years, 6 months ago
This essay argues that Claudia Rankine’s Citizen: An American Lyric (2014) deploys feminist intermediality to appropriate Othello in the service of a highly nuanced womanist aesthetics. The essay defines and offers examples of some important theoretical approaches, including: appropriation studies; intersectional feminism; intermediality; w…[Read more]
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Sujata Iyengar deposited Hamlet (RSC, 2016) and representations of diasporic blackness on MLA Commons 6 years, 6 months ago
In 2016 Paapa Essiedu, a British actor of Ghanaian ancestry, starred as Hamlet in Simon
Godwin’s lauded Royal Shakespeare Company (RSC) production, set in a post-colonial
African state whose non-specificity nonetheless irritated some reviewers. We contend,
however, that the production mixed multiple referents of blackness (Eastern A…[Read more] -
Sujata Iyengar deposited The Tolerance and Persecution of Africans in EM England and Scotland in the group
CLCS Renaissance and Early Modern on MLA Commons 6 years, 6 months agoChapter in exhibition “Voices of Tolerance in an Age of Persecution” curated by Vincent Carey at the Folger in 2002.
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Sujata Iyengar deposited Appropriation and Design of an Online Shakespeare Journal in the group
TC Digital Humanities on MLA Commons 6 years, 6 months agoAccount of the genesis and creation of the first born-digital humanities periodical to publish rich multimedia and the first scholarly journal devoted to the study of Shakespearean appropriation.
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Sujata Iyengar deposited Appropriation and Design of an Online Shakespeare Journal in the group
LLC Shakespeare on MLA Commons 6 years, 6 months agoAccount of the genesis and creation of the first born-digital humanities periodical to publish rich multimedia and the first scholarly journal devoted to the study of Shakespearean appropriation.
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Because of a series of miscommunications, I originally wrote a 6000-word essay for the Cambridge Guide to the Worlds of Shakespeare on Ophelia and Popular Culture rather than the 1500 words that it turned out they wanted. Bruce R. Smith graciously let me go up to 3000 words, and I republished some of my research in other articles, but some of this…[Read more]
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Sujata Iyengar deposited Introduction: Shakespeare’s Discourse of Disability on MLA Commons 6 years, 6 months ago
Non-copy-edited MS Word doc of the intro to my edited collection _Disability, Health, and Happiness in the Shakespearean Body (Routledge, 2015), uploaded in accordance with publisher’s Green OA policies.
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Sujata Iyengar deposited Shakespeare’s Embodied Ontology of Gender, Air and Health on MLA Commons 6 years, 6 months ago
This is the non-copy-edited Microsoft Word manuscript of my chapter in the edited collection _Disability, Health, and Happiness in the Shakespearean Body_ (Routledge, 2015), uploaded in accordance with the publisher’s “Green OA” rules.
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