The aesthetics of early feature-film scores were shaped by narrational problems introduced by multi-reel features and their longer durations. Using The Patchwork Girl of Oz, I show how stylistic devices like silences and musical pun- ctuation were used to address the coherence and pacing of multi-reel storytelling.

The following is a collection of identified fictional and non–fictional writing by Thomas Richards (1800-1877). Originally from Dolgellau, the young medical practitioner Richards published a considerable number of antiquarian and critical essays, editorials, travel writing, short stories and poetry in literary periodicals in England, Scotland a…[Read more]

The following is a collection of identified fictional and non–fictional writing by Thomas Richards (1800-1877). Originally from Dolgellau, the young medical practitioner Richards published a considerable number of antiquarian and critical essays, editorials, travel writing, short stories and poetry in literary periodicals in England, Scotland a…[Read more]

In the first decades of the twentieth century, the Madrid-based Galician journalist Julio Camba (1882–1962) acquired long-lasting fame as a travel writer thanks to his foreign chronicles published in the Spanish press and subsequently compiled in a series of volumes. La rana viajera [The Travelling Frog] (1920), however, gathers some of the p…[Read more]

Travel has always been an extremely important theme in Irish-language literature, but often this travel was motivated by financial hardship and, up until the late twentieth century, Irish-language accounts of travel largely documented the emigrant experience. In more recent years, however, Irish-language literature has witnessed a transition from…[Read more]