This article explores three facets of green space within a medieval monastic context: its origin, its effects and properties and the way it was shaped into an expression of power. We learn a great deal about the history of green space through the nuances of monastic thought and vice versa. The term ‘green space’ in a medieval context may ini…[Read more]

An expanded version of a talk presented at the Sub-conference of the Modern Language Association, “The Public and Its Privates,” Cheer-up Charlie’s, Austin, Texas, 7 January 2015, that ruminates both the difficulties of collective work as well as how various scholarly collectives create spaces of radical hospitality within which individual perso…[Read more]

This essay argues, through various personal anecdotes, for a university in which our work and lives would turn away from impersonal professionalism and more towards a praxis where we would recognize better, as Brantley Bryant has written, that our “very strength, our very expertise, comes from darkness, indeterminacy, unmarketably disastrous…[Read more]

A plea for more generous modes of reading each other’s scholarship in order to arrive at a University that values productive dissensus within a framework of shared endeavor and solidarity. The essay also argues for new relational modes in which personal, professional and other identities would be rejected in favor of cruising each other’s thought and work.

This is a chronological comparative study of five visual artefacts spanning about a millennium in Chinese history and retrieved from various sources included in the mid-fifteenth century collection called in English the Taoist Canon. All five specimens are basically titled “Taiping fu” 太平符 in Chinese, literally “Great Peace Symbol”. By briefly in…[Read more]

This paper deals with the political ideology of late pre-imperial and early imperial China as documented by remnants of an under-explored genre known in English as weft (wei 緯) writings or “Confucian Apocrypha”. It focuses on the transcendence of hierarchy and sovereignty, the transfer of dynastic legitimacy, and the pragmatic vehicle of “tang…[Read more]

In this chapter I investigate the coercive relationship between authorship and copyright from the perspective of intersectional feminist and de-colonial knowledge practices. Examining three artistic strategies (Richard Prince, Cady Noland and the Piracy Project) which all try to challenge the close ties between copyright and authorship – a…[Read more]

“Buddho-Taoism” is a neologism that appeared in Western academic discourse during the late nineteen-forties, was put to various uses without being consensually defined, enjoyed a brief vogue around the turn of the twenty-first century, and began to fall from grace in recent years. This neologism implicitly created new epistemic repertoires der…[Read more]

This paper shows how city councils in Swiss Cantons and southern Germany coped with the upcoming Reformation by organizing public disputations in order to decide which faith the community should choose.

A typical cow on Earth at the turn of the 21st century is figured as an information-generating machine. She generates data from the time she is born, at every developmental milestone, with the birth, growth, and death of each of her calves, including birth, weaning, and yearling weight, calving ease, and feeding data that help farmers compute…[Read more]

The altar screen mosaic icons were ordered and installed on a new reconstructed altar screen in the Žiča Monastery in 1993. The sketches made by a painter, Mladen Srbinović were approved by a committee consisting of eminent experts. Furthermore , The Serbian Patriarch Paul gave his blessing to the icons. However, soon after they were put up, th…[Read more]

Between Continuity and Negation – Reception of the Ancient Spolia in the Christian Tradition in the North of Kosovo The use of spolia has been recorded on numerous sacred objects in the Northern Kosovo, especially in the micro region around the Roman settlement in Sočanica. Spolia were mostly used for construction and paving; however, their use…[Read more]

CERTAIN ASPECTS OF THE CULT OF ANTINOUS IN THE ROMAN SETTLEMENT AT SOČANICA This Roman settlement, located on the territory near Sočanica, was parтly explored around the 1950’s. Systematic excavations, headed by E.Češkov, resulted in quite a large number of mobile and immobile finds, helped to form a clearer picture about the history, econom…[Read more]

Jewish relation to representational art is determined mostly by the Second Commandment: “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them.” As science has observed, the…[Read more]

THE ORIGIN OF ANTINOUS CULT IN ROMAN SETTLEMENT NEAR SOČANICA А Roman settlement, located near the village of Sočanica, was part-ly explored around 1960’s. Systematic excavations headed by archae-ologist E. Čerškov and resulted in quite a large number of mobile andimmobile finds helped form a clearer picture of the history, economyand urban layout…[Read more]

The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

Lamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]

Composting is a material labor whereby old scraps are transformed—through practices of care and attention—into nutrient-rich new soil. In this provocation, we develop “composting” as a material metaphor to tell a particular story about the environmental humanities. Building on Donna Haraway’s work, we insist “it matters what compostable…[Read more]