Registered in Romantic depictions of imperial ruins is the endurance of empire in its immateriality: the imageries of empire’s ruination announce a future where imperial sovereignty maintains its presence spectrally. Using Jacques Derrida’s notion of hauntology, and recruiting further insight from political theory, this essay argues that emp…[Read more]

This piece explores connections between science fiction and lyric poetry.

In “Generation Hwabyung Telepathy” and “A Resume of Traumas,” the Korean American lyric speaker struggles with the pain of generational trauma that she has inherited from her father and from the grandfather she has never met.

In this prose poem, the Korean American lyric speaker meets the ghosts of her ancestors, explores generational trauma, and lets her ancestors speak to and through her.

Criminally Insane AssassinS * QRt by PRURITUS MIGRANS * CC: BY-NC-ND

1963.11.22-12:30 * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

JUSTICE FOR ALL! * QRt by PRURITUS MIGRANS * CC: BY-NC-SA

In his introduction to The New Testament in the Original Greek, F. J. A. Hort laid out a taxonomy of evidence for text-critical judgments that is still followed today. In addition to the external evidence pertaining to the textual affinities, dates, and provenances of manuscripts, versions, and patristic quotations, he divided the internal…[Read more]

Review of “Shakespeare, Theology, and the Unstaged God” by Anthony D. Baker, “Great Stage of Fools: A Guide to Six Shakespeare Plays” by Peter J. Leithart, and “Shakeshafte & Other Plays” by Rowan Williams.

Review of “No Flesh Shall Glory: How the Bible Destroys the Foundations of Racism” by C. Herbert Oliver and “How to Fight Racism: Courageous Christianity and the Journey Toward Racial Justice” by Jemar Tisby.

Review essay of “Live Not by Lies: A Manual for Christian Dissidents” by Rod Dreher and “Red Theology: On the Christian Communist Tradition” by Roland Boer.

Review essay of “Children of the Waters of Meribah: Black Liberation Theology, the Miriamic Tradition, and the Challenges of Twenty-First-Century Empire” by Allan Aubrey Boesak and “Evangelical Theologies of Liberation and Justice” edited by Mae Elsie Cannon and Andrea Smith.

Review essay of “Dare We Speak of Hope? Searching for a Language of Life in Faith and Politics” by Allan Aubrey Boesak, “Awaiting the King: Reforming Public Theology” by James K. A. Smith, and “Politics after Christendom: Political Theology in a Fractured World” by David VanDrunen.

Review essay of “Confessions” by Augustine, translated by Sarah Ruden and “On the Road with Saint Augustine: A Real-World Spirituality for Restless Hearts” by James K. A. Smith.

Review essay of “The World Come of Age: An Intellectual History of Liberation Theology” by Lilian
Calles Barger and “Said I Wasn’t Gonna Tell Nobody: The Making of a Black Theologian” by James H. Cone.

This article examines the way that George Herbert relates his understanding of the doctrine of the atonement through the poetry of The Temple. First, we will look at Herbert’s life and work. Second, we will look at some major characteristics of The Temple as a whole. Third, we will look at the specific themes relating to the atonement that appear…[Read more]

The “sacramental imagination” is closely associated with writers from the Roman Catholic tradition. However, Marilynne Robinson, drawing on the creational and sacramental theology of John Calvin, has successfully developed a distinctly American Protestant sacramental vision in and through her novels Housekeeping and Gilead. In this article, I exa…[Read more]

In this essay I will seek to discern just how seriously Williams intends for his readers to take the notion of substituted love. Specifically, is the picture of substituted love in Descent into Hell simply an illustration of a theological principle, or is the theological principle meant to be inclusive of a real world practice? In order to better…[Read more]

This chapter seeks to reflect on the concepts of entertainment, engagement, and poetics applied to cinematic art and it inscribes this set of reflections within the scope of aesthetic authenticity in cinema. The discussion is structured around the question of the autonomy of art, understood as a kind of characterization or requirement, a topic…[Read more]

Critique of orthodox American Studies in the last quarter of the twentieth=century.