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Alex Humphreys deposited Supporting the Academic Research Needs of Incarcerated Students: Building JSTOR’s Offline Solution for Prison Education in the group
Digital Humanists on Humanities Commons 3 years, 3 months agoIncarcerated students often lack access to the resources and conditions, both physical and digital, that make self-directed research and research skill-building possible. Due to technical constraints – most notably the lack of internet access in most prison environments – few incarcerated students have access to research databases commonly use…[Read more]
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Pruritus Migrans deposited WE ARE ALL MAHSA AMINI ! in the group
Digital Humanists on Humanities Commons 3 years, 3 months agoWE ARE ALL MAHSA AMINI! * Artwork by PRURITUS MIGRANS * CC: BY-NC-ND
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Kit Yee Wong deposited Illness, Aesthetics, and Body Politics: Forging the Third Republic in Émile Zola’s ‘La Faute de l’abbé Mouret’ in the group
American Literature on Humanities Commons 3 years, 4 months agoThis article examines the political role of illness in Émile Zola’s ‘La Faute de l’abbé Mouret’ (‘The Sin of Father Mouret’, 1875) in articulating the difference between a religious and a secular body. Published in the early French Third Republic (1870–1940), this novel shows the Zolian body as the nexus upon which religious and republi…[Read more]
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Kit Yee Wong deposited Degenerate Bodies: Max Nordau’s ‘Degeneration’ and Émile Zola’s ‘La Débâcle’ in the group
Masculinities in Literature on Humanities Commons 3 years, 4 months agoIn ‘Degeneration’ (1892), Max Nordau included Émile Zola in his theory that fin-de-siècle artists were a danger to society. According to Nordau, the ‘false science’ in Zola’s Naturalist novels would erode social progress in their alleged preoccupation with disease, sexual deviancy and amorality. This article proposes that degeneration is, how…[Read more]
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Kit Yee Wong deposited Degenerate Bodies: Max Nordau’s ‘Degeneration’ and Émile Zola’s ‘La Débâcle’ in the group
American Literature on Humanities Commons 3 years, 4 months agoIn ‘Degeneration’ (1892), Max Nordau included Émile Zola in his theory that fin-de-siècle artists were a danger to society. According to Nordau, the ‘false science’ in Zola’s Naturalist novels would erode social progress in their alleged preoccupation with disease, sexual deviancy and amorality. This article proposes that degeneration is, how…[Read more]
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Tobias Steiner deposited Pluralities: Scholar-led publishing und Open Access. Zur Rolle von scholar-led publishing in den Geistes- und Sozialwissenschaften (Teil 1) in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoPublication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]
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Tobias Steiner deposited Old Traditions: Scholar-led publishing und Open Access – zu den Anfängen digitalen scholar-led Publishings in den Geistes- und Sozialwissenschaften (Teil 2) in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoPublication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]
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Tobias Steiner deposited New Communities: Scholar-led publishing und Open Access – aktuelle scholar-led Publishing-Initiativen und Open Access in den Geistes- und Sozialwissenschaften (Teil 3) in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoPublication cultures in academia are as diverse as their underlying research cultures. In today’s often normative discourse on Open Access, there is a danger that this diversity will be neglected or even lost in the medium term in favor of techno-solutionist implementations. In the following, I will therefore take a closer look at the approach of…[Read more]
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Kit Yee Wong deposited The Phantasmagorical City: Haussmann’s Paris in Zola’s ‘Nana’ and ‘L’Assommoir’ in the group
American Literature on Humanities Commons 3 years, 4 months agoHaussmann’s re-building of Paris in the 1850s and ’60s had created an ordered city. However, the bourgeoisie used the new urban configurations as a weapon against the lower classes. This article describes the spaces of the underground and the overground: the underground is the metaphorical and literal rubbish heap for those in the lower parts of…[Read more]
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Thomas Dabbs posted an update in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoThe Journal of the Japanese Association for Digital Humanities (in English) is now inviting submissions for Volume 7 of the journal to be issued in October 2023.
The JJADH is a peer-review and open-access journal.
To submit your paper, please access the online submission system…[Read more]
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Pruritus Migrans deposited London Bridge is down in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoLondon Bridge is down * QRt by PRURITUS MIGRANS * CC: BY-NC-SA
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Anna-Marie Kroupova started the topic CFP: The Art Museum in the Digital Age – 2023 (online) in the discussion
Digital Humanists on Humanities Commons 3 years, 4 months agoLocation: Belvedere, Vienna (online)
Date: 16–20 January 2023
Submission deadline: 16 October 2022
Website: https://www.belvedere.at/en/digitalmuseum2023
The Art Museum in the Digital Age – 2023
The Belvedere Research Center continues its conference series on digital transformation of art museums with its fifth anniversary event on thi…[Read more]
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Anna-Marie Kroupova replied to the topic Online Conference: The Art Museum in the Digital Age in the discussion
Digital Humanists on Humanities Commons 3 years, 4 months agoDear Daniel, you can find the presentations from last year’s and previous conferences on our website: https://www.belvedere.at/en/digitalmuseum2022.
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Julian C. Chambliss deposited A Generative Praxis in the group
Digital Pedagogy on Humanities Commons 3 years, 4 months agoSince 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]
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Julian C. Chambliss deposited A Generative Praxis in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoSince 2016, the academic narrative emerging from the Zora Neale Hurston Festival of the Arts and Humanities in Eatonville, Florida, has increasingly relied on a public scholarship model to bridge the gap between institutional practice and community knowledge. Inspired by Zora Neale Hurston’s legacy as an interdisciplinary scholar, these a…[Read more]
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Julian C. Chambliss deposited Days of Future Past: Why Race Matters in Metadata in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoWhile marginalized as a juvenile medium, comics serve as an archive of our collective experience. Emerging with the modern city and deeply affected by race, class, and gender norms, comics are a means to understand the changes linked to identity and power in the United States. For further investigation, we turn to one such collective archive: the…[Read more]
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Stephe Harrop deposited No Air Left in Your Lungs: Breathing with Kae Tempest’s The Book of Traps and Lessons in the group
Digital Humanists on Humanities Commons 3 years, 4 months agoIt is May 2020. I am watching Kae Tempest perform Hold Your Own online. Tempest’s vocal performances are always rich in meaningful detail; from the rising semi-sung sound that embodies all the dreams and potentials of a fallible humanity to the throaty fall that
edges and softens our collapse into foolishness and self-defeat. Slipping between s…[Read more] -
José Angel GARCÍA LANDA deposited En la selva de las formas: Ideas y formas en los gabinetes de curiosidades de Thomas Browne (Claire Preston) in the group
Digital Humanists on Humanities Commons 3 years, 5 months agoSpanish abstract: Reseño aquí el capítulo “In the Wilderness of Forms: Ideas and Things in Thomas Browne’s Cabinets of Curiosity”, de Claire Preston, publicado en el libro de estudios mediáticos retrofuturistas ‘The Renaissance Computer: Knowledge Technology in the First Age of Print’ (ed. Neil Rhodes y Jonathan Sawday, 2000). Los sabios y est…[Read more]
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Maurizio Brancaleoni deposited Thomas Wolfe’s Passage to England: A Ghostly Account of a Real Voyage in the group
American Literature on Humanities Commons 3 years, 5 months agoA series of sketches written in 1924 during an ocean crossing from New York to Tilbury, “Passage to England” was published only in 1998 by the Thomas Wolfe Society and is hardly Wolfe’s most popular or most accomplished work. Nonetheless I always felt that Passage to England had something unique and idiosyncratic and that despite a certain a…[Read more]
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Valeria Graziano deposited Public Co-Learning Tools: a Meta-Politics of the Simple for Postdigital Infrastructure in the group
Open Educational Resources on Humanities Commons 3 years, 5 months agoDigital strategies are a public co-learning opportunity, not just a mechanism for pumping content into the fuel tank of the attention economy…
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