Publications
How to Mediate Reality: Thinking Documentary Film with Horkheimer and Adorno 2021
In “How to Critique Authoritarian Populism: Methodologies of the Frankfurt School”, ed. Jeremiah Morelock
Brill (Studies in Critical Social Sciences)
https://doi.org/10.1163/9789004444744_017
Images of the Real. Introductory Notes 1 2021
In Cinema – Journal of Philosophy and the Moving Image 12: Images of the Real. Philosophy and Documentary Film, ed. Susana Nascimento Duarte and Stefanie Baumann
https://doi.org/10.34619/eoua-x5xy
Notes dispersées à partir de la table ronde « Retour en Amazonie : Werner Herzog » (French/Portuguese) 2020
(with Jeremy Hamers, Gregory Corman, Susana Mouzinho and Eric Lecerf)
In Fordlandia: Suspended Spaces 5, Les Presses du Réel
Between the culture industry and art: Adorno’s approach to film 2020
In Understanding Adorno, Understanding Modernism, ed. Robin Truth Goodman,
Bloomsbury Academic
On Experience and Illumination: Werner Herzog’s Dialectical Relation with Society 2020
In The Philosophy of Werner Herzog, ed. M. Blake Wilson and Christopher Turner,
Lexington Books/Rowman & Littlefield
Archives piégées. Notes sur la posture critique dans deux dossiers des archives de l’Atlas Group 2019
In Archiver au Moyen Orient. Fabriques documentaires contemporaines, ed. Christine Jungen and
Jihane Sfeir,
Éditions Karthala
Heterodox Mediations. Notes on Walid Raad’s The Atlas Group 2019
In Journal of Aesthetics & Culture, Volume 11, 2019, Issue 1
https://doi.org/10.1080/20004214.2019.1633192
Reverse Shot: Approaching Mozambican History, conversation with Catarina Simão (English/German) 2018
In The Fevered Spectres of Art, ed. Nataša Ilić,
Edith-Russ-Haus für Medienkunst & Sternberg Press
Dialectiques du film selon Adorno 2018
In Où en sommes-nous avec la théorie esthétique d’Adorno?, ed. Florent Perrier et Christophe David,
Éditions Pontcerq
Archives mozambicaines: entretien avec Catarina Simão 2018
in Suspended Spaces #4: Le partage des oublis,
Éditions Sistema Solar (French/Portuguese)
The Philosophy of Documentary Film. Image, Sound, Fiction, Truth (book review) 2018
in Cinema. Journal of Philosophy and the Moving Image 9
https://research.unl.pt/ws/portalfiles/portal/5917267/9_Baumann.pdf
Hanan al Cinema: an interview with Laura U. Marks (with Susana Nascimento Duarte), 2018
In Cinema: Journal of Philosophy and the Moving Image 9
http://static1.1.sqspcdn.com/static/f/906805/27864677/1521829953830/9_Marks_Baumann_Duarte.pdf
Faits Divers. Notes on a recurrent figure in contemporary Lebanese art 2018
published by Sarandar Collection; available online:
http://www.saradarcollection.com/ContentFiles/1184PDFLink.pdf
Prisms of Realism. On the Question of Emancipation and Authority in Art 2017
(Lukács, Brecht, Adorno, Kluge)
In Revista Constellazioni n.4 “Il realism nelle arti (e altrove)”, éd. Pietro Montani
Ralentir, déployer, ouvrir les images. Notes sur Natureza Morta. Visages d’une dictature 2017
de Susana de Sousa Dias
In Revue Proteus n° 12
http://www.revue-proteus.com/abstracts/12-7.html
Projeter le réel. Notes sur l’attitude critique inhérente à la notion de réalisme, 2017
à partir du film Chung Kuo, Cina, de Michelangelo Antonioni,
In Le Philosophoire n° 47, « L’Esprit critique », Paris, Vrin
https://www.cairn.info/revue-le-philosophoire-2017-1-page-135.htm
Ian Aitken, Lukácsian film theory and cinema. A study of Georg Lukács’ writings on film, 1913-71 2017 (book review),
In Cinema. Journal of Philosophy and the Moving Image 8 available online:
http://cjpmi.ifilnova.pt/8-contents
Urban Legends. On the Complicity between Photography and City in the Sweet Talk file of Walid Raad’s 2015
Atlas Group Archives (English, Portuguese)
In Espaços Compartilhados da Imagem: Caderno de Reflexões Críticas sobre a Fotografia/ Shared Spaces of
The Image: Notebook of Critical Reflections on Photography, ed. Bruno Vilela and Guilherme Cunha
Edição Circuito
Légendes urbaines. De la complicité entre photographie et ville dans le dossier Sweet Talk des 2014
des archives de l’Atlas Group de Walid Raad
In Suspended Spaces #3, Éditions de l’ENSBA
Critical/Archives (participation in the round table discussion about critical archives) 2014
in : Artmargins 3.3, MITPress Journals
Approaching Trust and the Unfolding Dialogue 2013
In: Esther Shalev-Gerz. The Contemporary Art of Trusting Uncertainties and Unfolding Dialogues,
Art and Theory Publishing/University of Gothenburg, Valand Academy
Des peuples qui manquent. Suite libanaise, 2012
In: Suspended Spaces #2, Black Jack Editions
Archiver ailleurs, archiver autrement ? La Fondation Arabe pour l’Image, 2012
In : Pratiques d’archives. Fabriques, modelages, manipulations, Ateliers d’anthropologie, n° 36/2012,
https://journals.openedition.org/ateliers/9013
Mirroirs d’ailleurs. Notes sur le dossier Bachar des archives de l’Atlas Group. 2011
In : Théories de la diversité culturelle et de la mondialisation, Communautés et sociétés.
Annales de sociologie et d’anthropologie, Université Saint-Joseph, Beyrouth, Vol. 21-22
Missing lebanese Wars : notes sur un dossier de l’Atlas Group Archive 2010
In : Mémoires de guerres au Liban (1975-1990), ed. Franck Mermier and Christophe Varin,
Actes Sud-Sindbad/ Ifpo
Archiver ce qui aurait pu avoir lieu : Walid Raad et les archives de l´Atlas Group 2009
In : Conserveries Mémorielles n° 6/Bulletin de l´IHTP n° 89: La Part de la Fiction dans les images
documentaires, available online:
http://cm.revues.org/381
Entering the Place of Art 2008
In : Esther Shalev-Gerz, Konstens plats/The Place of Art: Art Monitor/University of Gothenburg
