Sam Reenan
,@sreenan
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Sam Reenan's profile was updated on Humanities Commons 4 years, 6 months ago
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Sam Reenan's profile was updated on Humanities Commons 4 years, 7 months ago
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Sam Reenan created the event in the group Composers of Color Resource Project on Humanities Commons 5 years, 6 months ago
Title:
Description: On Friday 31 July at Noon eastern, we invite you to join our third group analysis over Zoom focused on music by composers of color. We are working to compile resources for classroom music theory teaching, which we have been populating in this Google Sheet. Over the long term we plan to post public domain scores, as well as…[Read more]
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Sam Reenan's profile was updated on Humanities Commons 5 years, 6 months ago
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Sam Reenan created the event Composers of Color Analysis Meeting in the group Composers of Color Resource Project on Humanities Commons 5 years, 6 months ago
Title: Composers of Color Analysis Meeting
Description: On Friday 17 July at Noon eastern, we invite you to join our second group analysis over Zoom focused on music by composers of color. We are working to compile resources for classroom music theory teaching, including examples of specific music-theory topics, from fundamentals to chromatic…[Read more]
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Sam Reenan's profile was updated on Humanities Commons 5 years, 6 months ago
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Sam Reenan uploaded the file: The Mediant in Major and Minor to
Composers of Color Resource Project on Humanities Commons 5 years, 6 months agoA handout that contains examples of mediant harmony in major and minor, drawing on excerpts by Mahler, Bonis, and Burleigh.
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Sam Reenan created the group
Composers of Color Resource Project on Humanities Commons 5 years, 6 months ago -
Sam Reenan deposited Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music in the group
Society for Music Theory (SMT) on Humanities Commons 6 years, 2 months agoThe expression P3,0 refers to one class of parsimonious voice-leading transformations between seventh chords introduced in a 1998 article by Jack Douthett and Peter Steinbach as Pm,n (Journal of Music Theory 42 (2): 241–63). In addition to tones that may be held in common, the subscripts indicate the number of voices that move by half step (m) o…[Read more]
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Sam Reenan's profile was updated on Humanities Commons 6 years, 2 months ago
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Sam Reenan deposited Types and Applications of P3,0 Seventh-Chord Transformations in Late Nineteenth-Century Music on Humanities Commons 6 years, 2 months ago
The expression P3,0 refers to one class of parsimonious voice-leading transformations between seventh chords introduced in a 1998 article by Jack Douthett and Peter Steinbach as Pm,n (Journal of Music Theory 42 (2): 241–63). In addition to tones that may be held in common, the subscripts indicate the number of voices that move by half step (m) o…[Read more]
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Sam Reenan's profile was updated on Humanities Commons 6 years, 2 months ago
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Sam Reenan's profile was updated on Humanities Commons 7 years, 3 months ago