Thomas Wolfe (1900-1938) nasce ad Asheville, North Carolina. Mentre studia drammaturgia ad Harvard scrive per il teatro, ma il successo arriva con il romanzo autobiografico ‘Look Homeward, Angel’ (1929), seguito da ‘Of Time and the River’ (1935) e dai postumi ‘The Web and the Rock’ (1939) e ‘You Can’t Go Home Again’ (1940). ‘Passage to England: A…[Read more]

Spanish abstract: Un tema importante en ‘Mantícora’, la novela de Robertson Davies, es el de la búsqueda de la relación con el padre, por parte de protagonista, David Staunton, abogado alcohólico y solitario, agobiado por su familia rica y por verse desheredado. Pero padres puede haber más de uno, en la realidad o en la imaginación. Y, hay que p…[Read more]

A hugely prolific and popular writer, Jodi Picoult boasts nearly 30 novels in print worldwide. She has been translated into 34 languages and, in 2018, she was ranked in the “top ten” of Princeton’s most influential living alumni. Yet her name rarely features in the short lists for prestigious literary awards and she is consistently ignored by ac…[Read more]

This article examines the political role of illness in Émile Zola’s ‘La Faute de l’abbé Mouret’ (‘The Sin of Father Mouret’, 1875) in articulating the difference between a religious and a secular body. Published in the early French Third Republic (1870–1940), this novel shows the Zolian body as the nexus upon which religious and republi…[Read more]

In ‘Degeneration’ (1892), Max Nordau included Émile Zola in his theory that fin-de-siècle artists were a danger to society. According to Nordau, the ‘false science’ in Zola’s Naturalist novels would erode social progress in their alleged preoccupation with disease, sexual deviancy and amorality. This article proposes that degeneration is, how…[Read more]

Haussmann’s re-building of Paris in the 1850s and ’60s had created an ordered city. However, the bourgeoisie used the new urban configurations as a weapon against the lower classes. This article describes the spaces of the underground and the overground: the underground is the metaphorical and literal rubbish heap for those in the lower parts of…[Read more]

A series of sketches written in 1924 during an ocean crossing from New York to Tilbury, “Passage to England” was published only in 1998 by the Thomas Wolfe Society and is hardly Wolfe’s most popular or most accomplished work. Nonetheless I always felt that Passage to England had something unique and idiosyncratic and that despite a certain a…[Read more]

This digital book is a companion to Of Sunken Islands and Pestilence: Restoring the Voice of Edward Taylor Fletcher to Nineteenth-Century Canadian Literature. It is intended as an aid to readers, in particular students and scholars, who wish to know more about Fletcher’s works. The ideas that drove Fletcher’s creative works are on display here,…[Read more]

In this article, I examine two recent memoirs of Zen students that speak openly about the aberrant behavior of their teachers. These memoirs are Natalie Goldberg’s The Great Failure (2004) and Shozan Jack Haubner’s Single White Monk (2017). Both of these authors consider the scandals surrounding their teachers as an opportunity for spiritual gro…[Read more]

Analizamos el contexto e ideología de la película de ciencia ficción ‘El Origen del Planeta de los Simios’ (2011), con especial atención sobre el juego intertextual de precuelas y secuelas, y sobre las inquietudes ideológicas manifiestas en lo relativo a las relaciones raciales y al evolucionismo.…[Read more]

Ranchera music on the U.S. Mexican Border

Spanish abstract: Resumen comentado del artículo de Norman N. Holland “Unity Identity Text Self”, un clásico de la teoría de la recepción literaria desde el punto de vista psicoanalítico. He reescrito el título original en mi propio título de una manera que clarifique más las relaciones que busca establecer Holland entre estos cuatro término…[Read more]

Spanish abstract: Nos comportamos en sociedad de maneras que potencien nuestra autoestima, eligiendo las estrategias adecuadas para ello. Algo en esta línea había argumentado Mark Twain en su sarcástico ensayo ‘What Is Man?’ —pero ahora los sarcasmos de Twain parece que tienen respaldo científico en la psicología evolucionista. Así comenta…[Read more]