A book review of _Symbol and Icon: Dionysius the Areopagite and the Iconoclastic Crisis_ (Wipf & Stock, 2010), which extensively catalogs the severe lack of proper attribution of other scholars’ work in the book.

Although the ultimate theme of “The Seven Sleepers” can be located in its medieval Christian doctrine—the bodily resurrection is real, and therefore it is in the afterworld where one finally, really “lives,” with shining body and soul together—I would like to argue that, in the Old English version’s emphasis on the highly individualized emotion…[Read more]

Through an analysis of Tony Kushner’s 2001 play “Homebody/Kabul” and the Old English “Ruin” poem, this essay explores the tension, anxiety, and isolation inherent in the aesthetic and philosophical enterprises of measuring the distance that separates myth from real being (a project that takes place, I would argue, against Levinas, not just o…[Read more]

An overview of the “state of the field” of critical post/humanist studies that also argues for the important intervention of premodern studies into contemporary post/humanist studies, and which serves as the Introduction (with chapter summaries) to “Fragments for a History of a Vanishing Humanism,” eds. Myra Seaman and Eileen A. Joy (Ohio State…[Read more]

“Who were the Romans? Shifting Scripts of Romanness in Early Medieval Italy,” in Post-Roman Transitions. Christian and Barbarian Identities in the Early Medieval West, eds. Walter Pohl and Gerda Heydemann, Cultural Encounters in Late Antiquity and the Middle Ages 14

“Foreign Saints at Home in Eighth- and Ninth-century Rome. The Patrocinia of Diaconiae, Xenodochia and Greek Monasteries,” in Cuius patrocinio tota gaudet regio. Saints’ Cults and the Dynamics of Regional Cohesion, eds. S. Kuzmová, A. Marinković and T. Vedriš

“Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome.” Dumbarton Oaks Papers 71 (2017): 337–366

“Saints for All Christendom: Naturalizing the Alexandrian Saints Cyrus and John in Seventh- to Thirteenth-Century Rome.” Dumbarton Oaks Papers 71 (2017): 337–366

This paper investigates the multiple impulses that contributed to the early medieval interest in Pope Damasus’s inscriptions. In part, Damasus’s verses were read as guides to Rome’s martyrial topography; in part, they served as models of a classicizing Christian style. Above all, the appeal of these verses derived from their association with…[Read more]

This paper investigates the multiple impulses that contributed to the early medieval interest in Pope Damasus’s inscriptions. In part, Damasus’s verses were read as guides to Rome’s martyrial topography; in part, they served as models of a classicizing Christian style. Above all, the appeal of these verses derived from their association with…[Read more]

“Hagiography as History and the Enigma of the Quattro Coronati,” Rivista di Archeologia Cristiana 93 (2017): 345–409

“Why Remember Ratchis? Medieval Monastic Memory and the Lombard Past,” Archivio Storico Italiano 177.1 (2019): 3–57

“Why Remember Ratchis? Medieval Monastic Memory and the Lombard Past,” Archivio Storico Italiano 177.1 (2019): 3–57

The paper deals with the so called griffin lamps. In the group of early Christian bronze lamps, a relatively large number of those with handles in the form of griffin-shaped protome have been preserved. Griffin lamps could be called the prototype of Late Antique production, owing to the manner in which stylistic and iconographic elements of the…[Read more]

Jewish relation to representational art is determined mostly by the Second Commandment: “You shall not make for yourself a carved image, or any likeness of anything that is in heaven above, or that is in the earth beneath, or that is in the water under the earth; you shall not bow down to them nor serve them.” As science has observed, the…[Read more]

The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

The aim of this research, focusing on representations of light and the symbolism of early Christian lamp decorations, has been to examine and summarise the existing knowledge of the symbolism of light in the Mediterranean region and the models by which this symbolism was manifested in the early Christian visual culture. Lamps with Early Christian…[Read more]

Lamp as a Symbol in Theology and Iconology of Light in the Mediterranean / Light and fire have been a part of the religious experience since the dawn of civilization, its cultic use can be traced back to as early as the Paleolithic. Seen as divine emanations, light and fire were experienced as a symbol of the divine presence. This symbolism can be…[Read more]

This paper studies transmutation theory as found in the texts attributed to Zosimus of Panopolis,“the philosopher Synesius,” and “the philosopher Olym-piodorus of Alexandria.” It shows that transmutation theory (i.e. a theory explain-ing the complete transformation of substances) is mostly absent from the work attributed to these three authors…[Read more]

Many scholars of ancient Greek religion would probably agree that the use of curse tablets in the ancient Mediterranean world ‘cut across all social categories’. From a comparative perspective, it would be surprising if high levels of Greek literacy had been achieved by all social classes in classical and Hellenistic times. Greek literature,…[Read more]