This essay offers a critical reading of Jhumpa Lahiri’s The Lowland as a “neo-cosmopolitan fiction,” one which is invested in imagining a transnational and global community, in order to initiate a new analytical framework for South Asian diasporic literature. I argue that this critical framework not only challenges the notion of literary canon…[Read more]

This primer in “cognitive cultural studies” explores the cultural fantasy of perfect access to mind through body. It shows that different genres and media—movies, novels, classic Chinese operas, medieval ribald tales, musicals, paintings, documentaries, stand-up comedy, and photography—have different strategies for making us think that we have ju…[Read more]

If Jane Austen had wanted to write about zombies, what might she have known about the walking dead in the early nineteenth century? In this 2010 presidential address for EC/ASECS, subsequently published in the society’s newsletter, I examine this question and take a look at Pride and Prejudice and Zombies and Sense and Sensibility and Sea Monsters.

Daniyal Mueenuddin’s In Other Rooms, Other Wonders is reflection of Pakistani masculinity in a metamorphosed state. A disturbingly masculine vocabulary frames the appearance and actions of the female characters. In contrast, the speech and thought of the male characters is minified in words of loss and regret. Their material ambitions and the r…[Read more]

“¿En qué idioma escribe Ud.?” (142) “In which language are you writing?” This question, that Juan Crisóstomo Ibarra, the protagonist of José Rizal’s novel Noli me tangere (1887), addresses to the old scholar Don Anastasio, better known as Tasio, is more than just an expression of curiosity when he sees the latter writing, of all things, hiero…[Read more]

Published as part of the Theories and Methodologies section on Oceanic Studies.

At the height of their popularity, performing animals appeared in over half of all big-time vaudeville bills and were highly significant to its business model. They were booked to draw children and their mothers to matinee performances and, as consistent sources of novelty, to create crucial word-of-mouth interest in the bill’s weekly line-up. V…[Read more]

An examination of crime and criminality in colonial and postcolonial India through life-writing and the examples of Thugs and Phoolan Devi, the Bandit Queen.

This paper traces the origins of Chicana-centered figures and tropes found in Ana Castillo’s So Far from God to early 20th century cuentos recorded in the New Mexico Federal Writer’s Project.

Gumbo has become the metaphorical melting pot of Louisiana, often reducing complex histories to simple lists of ingredients. This essay offers a more complex history of the dish itself, as well as refuting some of the common misconceptions about the dish and Louisiana foodways found in popular media.