A review of Robert Leucht’s “Dynamiken politischer Imagination. Die deutschsprachige Utopie von Stifter bis Döblin in ihren internationalen Kontexten, 1848–1930” (2016) and Ulrich Bach’s “Tropics of Vienna: Colonial Utopias of the Habsburg Empire” (2016)

“The thesis investigates the case of the modern Television drama series FlashForward and sets out to chart the employment of concepts of Collective Memory Studies in the narrative in order to reflect upon the ways of how social perceptions of the past and Collective Memory are remediated in the course of the narrative.
To achieve that goal, the…[Read more]

This critical commentary argues that the novels submitted (emphasis on Ammonite, The Blue Place, and Hild, with three others, Slow River, Stay, and Always briefly referenced), form a coherent body of work which centres and norms the experience of the Other, particularly queer women. Close reading of the novels demonstrates how specific word-choice…[Read more]

This essay begins by offering some observations about how holiness was comprehended and expressed in Victorian and Edwardian England. In addition to the ‘sensibility’ and ‘sentiment’ that characterised society, notions of holiness were shaped by, and developed in reaction to, dominant philosophical movements; notably, the Enlightenment and Romanti…[Read more]

Published in PCANZ Global Mission – Why, Where, and How (Wellington: Presbyterian Church of Aotearoa New Zealand, 2014).

Abstract: Why does the Church need the world? This paper seeks to explore what today’s Church might learn from secular ‘apostles’ and ‘prophets’ as part of its ongoing mission to, for and with the world that God so loves. In particular, it will investigate the role that poets, dramatists and other artists might play in identifying humanism’…[Read more]

‘Mission and the Priesthood of Christ’. Candour 7 (May 2013), 7–11.

‘Fighting Troll-Demons in Vaults of the Mind and Heart – Art, Tragedy and Sacramentality: Some Observations from Ibsen, Forsyth and Dostoevsky’. Princeton Theological Review 13, no. 1 (2007), 61–85.

‘“That God May Have Mercy Upon All”: A Review-Essay of Matthias Gockel’s Barth and Schleiermacher on the Doctrine of Election’. Journal of Reformed Theology 2, no. 2 (2008), 113–30.

‘The Elusiveness, Loss, and Cruciality of Recovered Holiness: Some Biblical and Theological Observations’. International Journal of Systematic Theology 10, no. 2 (2008), 195–209.

‘Church and Civil Society in the Reformed Tradition: An Old Relationship and a New Communion’. Reformed World 61, no. 3 (2011), 195–210.

Steven Spielberg’s 2002 Minority Report narrates two interrelated stories. The micro
story concerns a family, a kidnapped son, the ensuing trauma, and the work of mourning that
follows. The macro story concerns criminal justice, social stability, and hermeneutics at the level
of the nation state. The problem for both stories is ontological a…[Read more]

This paper discusses Pacific Rim as a film deeply concerned with birth, in particular the horror of birth, and the process by which birth is assimilated. The film may then be seen as part of an unbroken commentary on nuclear
weapons insofar as it is our technological, capitalistic, and nuclear capability that allows
us to close the “breach” and…[Read more]

This paper examines Margaret Atwood’s Oryx and Crake in relation to environmental justice. The best-selling first novel in Atwood’s Maddaddam Trilogy, Oryx and Crake was widely hailed for its nightmarish depiction of a post-apocalyptic, bioengineered future. The major themes of the novel mirror key themes of the environmental justice movement tod…[Read more]

This article raises questions about the aesthetics of scale as they appear relative to genetically modified organisms in science fiction and especially in Paolo Bacigalupi’s The Windup Girl (2009). Bacigalupi makes the unusual choice of representing GMOs largely through science fictional tropes of automatism rather than the grotesque. Because of t…[Read more]

This essay considers Ralph Ellison’s Invisible Man (1952) from the standpoint of its influential depiction of African Americans as automata. Through Ellison’s other writings, including his review of Gunnar Myrdal’s An American Dilemma (1944) and his unpublished drafts of Invisible Man, the essay links the political concerns of the novel with…[Read more]

Reading the representation of New York City in J.D. Robb’s/Nora Roberts’s sci-fi detective romance In Death series via Andrew Karmen’s critique of the 1990s’ New York crime wave/crash narrative pushed by Giuiliani and Bratton’s “broken windows” policing.