Im digitalen Zeitalter verschwimmen die institutionellen Grenzen innerhalb der Kulturlandschaft. Umso gewinnbringender wäre es, innerhalb der Kultureinrichtungen gemeinsame Handlungsfelder zu definieren und von etablierten Prozessen und vorhandenen Infrastrukturen zu profitieren. Worin bestehen die zentralen Probleme der bisher erst zaghaften…[Read more]

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

In: Hajo Diekmanshenke, Stefan Neuhaus and Uta Schaffers (eds.): Das Komische in der Kultur. Dynamiken der Vermittlung: Koblenzer Studien zur Germanistik. Marburg: Tectum-Verlag 2015, 413-429.

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

От задника к квази-вещи и настоящему мясу: плоскость и трехмерность в кино 1900-1920
Бюсты-Цари Бауэра
Оживление вещи в 1910-е годы: Черепки кувшина и жест спинки кресла
«Душа декорации» и диковинки Бауeра в трактовке Кулешова
Вещи в глубинном постранстве
Освобожденная вещь в монтаже
«Убрать неработающие вещи!»
Столетие…[Read more]

This paper discusses the emergence of a women’s diasporic cinema that challenges the representation of Indian women as guardians of Indian values. Through the examination of three films directed by women filmmakers (Mira Nair, Deepa Mehta and Nisha Pahuja), this analysis proposes to delve into the reconfiguration of Indian identity in a context o…[Read more]

Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

Habitus​ ​und​ ​Gender:​ ​Dude​ ​Talk​ ​der​ ​pachucos​ ​und​ ​die​ ​stiljagi 2 Vorgestellte​ ​und​ ​gelenkte​ ​Gemeinschaften:​ ​Nationale​ ​und​ ​ ​religiöse​ ​Identität 5 1.​ ​Filmbeispiel:​ ​Die​ ​tote​ ​Frau​ ​in​ ​Ovsjanki​ ​(Ammern,​ ​2010) 8 Sprache​ ​und​ ​Gender​ ​in​ ​der​ ​postsowjetischen​ ​Situation 11 Feminismus​ ​in​ ​Russland;​ ​G…[Read more]

Disciplina de graduação oferecida na Faculdade de Comunicação da Universidade Federal da Bahia no segundo semestre de 2017. Mais informações em: https://www.incinerrante.com/textos/teorias-do-cinema-2017-2

An essay that weaves historical perspectives with a unique interpretation of Kerensa Dewantoro’s performance art of Menjahit Marat Sade/ Sewing Marat Sade in Urban Kampong Dago Pojok, Bandung-Indonesia

Car Free Day has become a contested aren of production and consumption where by a contemporary social and cultural transformation of space also forms a new contemporary composite agencies of urban public in the city of Bandung, West Java. Such agencies also shape a new identity for the image of a city landmark. The cit appears to prioritize its…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Public space as a visual spectacle contributed for discovery and possible strengthening of new rhetorics outside the planning sector. Contestation of public space featuring various aspects of life residents, including; economy, entertainment, politic, and life style. One of the paradox emerging from this, manifest in the use of public space that…[Read more]

The Pasupati flyover (Pasteur-Surapati) connecting Bandung to Jakarta has become a new symbol for the city. Recent policy has made the space located under the bridge, transformed from ‘dead space’ into a socially-significant urban space for marginal people governed by many stakeholders and consequently a contestation of multiple and con…[Read more]

Car Free Day has become a contested aren of production and consumption where by a contemporary social and cultural transformation of space also forms a new contemporary composite agencies of urban public in the city of Bandung, West Java. Such agencies also shape a new identity for the image of a city landmark. The cit appears to prioritize its…[Read more]

Since the end of the prohibition of Chinese New Year celebrations, the night sky of towns and cities across Indonesia has been illuminated with fireworks on the eve of Chinese New Year. Most notably, the traditional street parades and accompanying festival on the fifteenth day of the New Year have been growing in size in a number of West…[Read more]

Public space as a visual spectacle contributed for discovery and possible strengthening of new rhetorics outside the planning sector. Contestation of public space featuring various aspects of life residents, including; economy, entertainment, politic, and life style. One of the paradox emerging from this, manifest in the use of public space that…[Read more]