This paper publishes a ceramic bowl in the Metropolitan Museum of Art depicting a Parthian shot. Although it lacks archaeological provenance, the bowl can be dated to the 4th to 2nd centuries BCE, and probably comes from northwestern Iran. It is, therefore, one of the few possible instances of a Parthian shot from the Arsacid Empire.

Demons and monsters are inherently moveable creatures: from the late second millennium BCE onwards a number of demons and monsters migrate from their native Mesopotamian contexts, moving westward. Of course, these figures do not remain static throughout their journey, instead acquiring the characteristics of the different cultural contexts wherein…[Read more]

A short essay on the different forms of money used in the Achaemenid Persian Empire. Translated into German by Julia Linke.

An overview of taxation in ancient states.

The paper proposes that the Egyptian-style design on a 5-6th century CE magical amulet discovered at Nea Paphos in Cyprus (Inv. no. PAP/FR 44/2011) draws upon an apotropaic design against the Evil Eye known as the “All-Suffering Eye,” which dates back to the time of the early Roman Empire and is common on Byzantine “Holy Rider” medallions. [No…[Read more]

The representations of religious tension between the polytheistic humans and the monotheistic Cylons in the Sci Fi (now Syfy) channel’s hit series Battlestar Galactica (2003–2009) is nowhere more evident than in the human “convert” to monotheism, Gaius Baltar, who struggles to proselytize his minority beliefs to other humans. Ancient Jewish…[Read more]

The representations of religious tension between the polytheistic humans and the monotheistic Cylons in the Sci Fi (now Syfy) channel’s hit series Battlestar Galactica (2003–2009) is nowhere more evident than in the human “convert” to monotheism, Gaius Baltar, who struggles to proselytize his minority beliefs to other humans. Ancient Jewish…[Read more]

Octavia E. Butler’s Parable of the Sower and Parable of the Talents provide readers with often radical re- visions and critiques of biblical texts. This article asks how the principal characters’ affective engagements with Scripture vary, and considers the extent to which fiction may “play” with the Bible, despite its authoritative distanc…[Read more]

Octavia E. Butler’s Parable of the Sower and Parable of the Talents provide readers with often radical re- visions and critiques of biblical texts. This article asks how the principal characters’ affective engagements with Scripture vary, and considers the extent to which fiction may “play” with the Bible, despite its authoritative distanc…[Read more]

Modern science fiction writers often draw upon the biblical flood story as inspiration for their own narratives. It is not uncommon to find humans fleeing on space arks to escape some cosmic disaster. In the process of adapting the biblical narrative to contemporary circumstances, these writers also frequently transform the unnamed female…[Read more]

Modern science fiction writers often draw upon the biblical flood story as inspiration for their own narratives. It is not uncommon to find humans fleeing on space arks to escape some cosmic disaster. In the process of adapting the biblical narrative to contemporary circumstances, these writers also frequently transform the unnamed female…[Read more]

In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “science” is creatively, strategically confused with “magic” and/or “religion.” Key supernatural/magical elements of the franchise’s comic-book source material are “retconned” (retroactively granted new narrative coherence and continuity) as advanced…[Read more]

In the virtual world elaborated in Marvel’s movies (the “Marvel Cinematic Universe” or MCU), “science” is creatively, strategically confused with “magic” and/or “religion.” Key supernatural/magical elements of the franchise’s comic-book source material are “retconned” (retroactively granted new narrative coherence and continuity) as advanced…[Read more]

This article considers several instances of biblical reception in the science-fiction role-playing game Horizon Zero Dawn (Guerrilla Games/Sony, 2017). The game’s characterisation of technology, science, and religion has led some commentators to understand Horizon Zero Dawn as presenting a firm rejection of religious narratives in favour of s…[Read more]

This article considers several instances of biblical reception in the science-fiction role-playing game Horizon Zero Dawn (Guerrilla Games/Sony, 2017). The game’s characterisation of technology, science, and religion has led some commentators to understand Horizon Zero Dawn as presenting a firm rejection of religious narratives in favour of s…[Read more]

Introduction, Greek text, and English translation of 3 Apocryphal Apocalypse of John, a Byzantine question-and-answer dialogue between Abraham and John set after Jesus’s ascension.

This article publishes a new join in SAA 18 100, a letter providing crucial historical detail about the assassination of Sennacherib in 681 BC. Published in Nouvelles Assyriologiques Brèves et Utilitaires no. 2 (June 2019): 88-90.

Reading the biblical conquest stories in light of the UN Declaration on the rights of Indigenous peoples and the Truth and Reconciliation Commission of Canada.

This note examines the use of the term “daric” in 1 Chr 29:7 for its ideological purposes, concluding that the anachronism was deployed purposely to signal resistance to imperial rule.

This note examines the use of the term “daric” in 1 Chr 29:7 for its ideological purposes, concluding that the anachronism was deployed purposely to signal resistance to imperial rule.