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Alexa Joubin deposited Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018) in the group
Postcolonial Digital Humanities on MLA Commons 7 years, 6 months agoHow do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]
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Alexa Joubin deposited Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018) in the group
LLC Shakespeare on MLA Commons 7 years, 6 months agoHow do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]
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Alexa Joubin deposited Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018) in the group
GS Drama and Performance on MLA Commons 7 years, 6 months agoHow do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]
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Alexa Joubin deposited Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018) in the group
Global Shakespeares on MLA Commons 7 years, 6 months agoHow do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]
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Alexa Joubin deposited Preface, The Shakespearean International Yearbook 17: Shakespeare and Value, Edited by Tom Bishop, Alexa Alice Joubin, Simon Haines (New York: Routledge, 2018) on MLA Commons 7 years, 7 months ago
How do Shakespearean plays sustain clashing values within them, or imposed on them? Is Shakespeare anti-Semitic? Can Shakespeare be a feminist? How is value subject to context, to market, and demand? A wide range of moral, political, and aesthetic values—profitable or heartening or threatening from case to case—have been associated with Sha…[Read more]
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) in the group
TC Translation Studies on MLA Commons 7 years, 7 months agoIn the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) in the group
LLC Shakespeare on MLA Commons 7 years, 7 months agoIn the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) in the group
LLC East Asian on MLA Commons 7 years, 7 months agoIn the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) in the group
GS Drama and Performance on MLA Commons 7 years, 7 months agoIn the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) in the group
Global Shakespeares on MLA Commons 7 years, 7 months agoIn the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Alexa Alice Joubin's profile was updated on MLA Commons 7 years, 7 months ago
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Alexa Joubin deposited “‘To unpath’d waters, undream’d shores’: Shakespeare in the World.” The Score : An Insider’s Guide to the Performing Arts (New York: Lincoln Center, June 28, 2018) on MLA Commons 7 years, 7 months ago
In the centuries since William Shakespeare’s death, numerous stage and, more recently, film and television adaptations of his work have emerged to inspire, comfort, and provoke audiences in far-flung corners of the globe. As early as 1619, for example, Hamlet was performed in colonial Indonesia to entertain European expatriates. In 1845, U.S. Army…[Read more]
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Kathleen Fitzpatrick's profile was updated on Humanities Commons 7 years, 7 months ago
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his article examines recent critical approaches to Shakespeare and the senses. Historicizing the senses has posed certain methodological challenges: what is the relationship between subjective sensory perceptions and broader cultural understandings of sensation? Does the sensate have a history? Recent work on each of the five senses demonstrates…[Read more]
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Holly Dugan deposited “To Bark With Judgement”: Playing Baboon in Early Modern London on Humanities Commons 7 years, 7 months ago
Who or what played the baboon on early modern London’s stages? Such a question may seem as obscure as its answer obvious; I ask it, however, to foreground the long history of trained animal performers and their relationship to canonical English drama. The surprising presence of performing baboons in early modern London has been mostly forgotten or…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
LLC Shakespeare on Humanities Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
Interdisciplinary Approaches to Culture and Society on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
GS Drama and Performance on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
Global Shakespeares on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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Alexa Alice Joubin deposited “Shakespeare Theatre Company’ s Macbeth and the Limits of Multiculturalism.” Early Modern Culture 13 (2018): 240-246 in the group
CLCS 20th- and 21st-Century on MLA Commons 7 years, 8 months agoThe STC Macbeth’s setting and predominantly multiethnic cast brought to mind Orson Welles’s landmark 1936 Macbeth which was set in Haiti and featured an all-black cast. In both cases, the ethnicity and race of the cast matched that of the characters and cultures in the adaptation’s respective universe. Tommy’s production engaged in two models…[Read more]
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