Conversión de los Saluiseños de la Alta California (c. 1840) by Pablo Tac is the only published document written by an indigenous Californian during the Spanish-Mexican period. Born at Mission San Luis Rey de Francia, north of San Diego, California in 1820, Tac wrote the manuscript while studying to be a Catholic priest at a seminary in Rome. C…[Read more]

Conversión de los Saluiseños de la Alta California (Conversion of the Saluiseños of Alta California) (c. 1840) by Pablo Tac is the only published document written by an indigenous Californian during the Spanish-Mexican period. Born at Mission San Luis Rey de Francia, north of San Diego, California in 1820, Tac wrote the manuscript while st…[Read more]

The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]

The Spatiality of the Hispanic Avant-Garde: Ultraísmo & Estridentismo, 1918-1927 is a thorough exploration of the meanings and values Hispanic poets and artists assigned to four iconic locations of modernity: the city, the cafés, means of transportation, and the sea, during the first decades of the 20th century. Joining important studies on S…[Read more]

Review of Catalan translation of Dino Buzzati

Reveiw of Spanish translation of Primo Levi, “Ad ora incerta”

The aim of this article is that of clarifying those issues of the analysis of the conditional structures in Italian which are more difficult to pin down. Once their «double nature»
(temporal and modal) is established, attention is switched to the most conflicting aspects shown by the conditional structures («mixed» hypothetical periods, rep…[Read more]

Review of Spanish translation of Canti Orfici by Dino Campana

In this interview, granted by Helga Schneider in November 2002, the ideas that predominante in all her novels are present, from the impossibility of forgiveness to the refusal of
hatred. Schneider shows the horrors of Nazism from within and interprets Evil from the viewpoint of its trivial daily expressions, illuminating the shady areas hidden by…[Read more]

Review of the Catalan translation of “L’umorismo”

This book delves into the inadequately explored, liberative side of Humanism during the late Renaissance. While some long-sixteenth-century thinking anticipates twentieth-century Liberation Theology, a broader description is simply “liberation thinking,” which embraces its diverse, timeless, and sometimes nontheological aspects.

Two moments fra…[Read more]

This essay decodes how Marlon James’s A Brief History of Seven Killings uses the history of Jamaican music, culminating in the conflict between roots reggae and dancehall, to chart the Cold War’s conflicts over time, temporality, and futurity. A Brief History of Seven Killings points readers to a jaded, subaltern temporality encoded in a dan…[Read more]