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Andrew J. Eisenberg deposited Space in the group
Music and Sound on Humanities Commons 8 years, 11 months agoSound and space—however one defines these terms—are phenomenologically and ontologically intertwined.
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Andrew J. Eisenberg deposited Hip-Hop and Cultural Citizenship on Kenya’s “Swahili Coast” in the group
Music and Sound on Humanities Commons 8 years, 11 months agoThe Muslim-dominated “Swahili Coast”has always served as a conceptual as well as physical periphery for post-colonial Kenya. This article takes Kenyan youth music under the influence of global hip-hop as an ethnographic entry into the dynamics of identity and citizenship in this region. Kenyan youth music borrows from global hip-hop culture the…[Read more]
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Mohsen Mohammadi deposited Qand-i Pārsī: An Introduction to Twenty Persian Texts on Indo-Persian Music in the group
Music and Sound on Humanities Commons 8 years, 11 months agoAn introduction to twenty Persian musical texts written in India which included both Persian and Indian music
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Mohsen Mohammadi deposited Persian Records by the Lindström Company: Triangle of Political Relationships, Local Agents and Recording Company in the group
Music and Sound on Humanities Commons 8 years, 11 months agoThis article focuses on recording Persian music by the German record companies during the interwar period and social, economic, and political motivations behind it.
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Mohsen Mohammadi deposited Chef de Musique or Chef de Macaroni: The Twisted History of the European Military Music in Persia in the group
Music and Sound on Humanities Commons 8 years, 11 months agoThis article focuses on the history of European military music in Persia and shows how this history was twisted by French/Artesian patriotism and self-promotion. In order to provide an alternative history, this article explores various sources and introduces several European musicians who worked in Persia in the nineteenth century, including the…[Read more]
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Aaron Hynds deposited The Death of the Performer: Thoughts Towards a Barthesian Theory of Contemporary Music in the group
Music and Sound on Humanities Commons 9 years agoWhen examining a particular creative work, one has to be aware of a number of hidden relationships embedded within that work as a whole. Who created this work? What was their goal in doing so (if there ever was an established goal)? How am I supposed to interpret this work, given the nature in which it was created? Going down these paths of…[Read more]
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Joon Park deposited Reflections on (and in) Strunk’s Tonnetz in the group
Music and Sound on Humanities Commons 9 years agoABSTRACT Joon Park takes a closer look at Steven Strunk’s innovative application of the neo-Riemannian Tonnetz to jazz. Strunk reinterprets neo-Riemannian transformations as geometric reflections—as opposed to more conventional group theory operations—showing his understanding of jazz performance practice. Park clarifies the difference between con…[Read more]
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Nicky Agate started the topic Welcome to Music and Sound on Humanities Commons! in the discussion
Music on Humanities Commons 9 years agoHello to all new members of this Music and Sound group!
On the right, you’ll see a breakdown of the different features of groups on Humanities Commons. We look forward to seeing what you do, make, and share here!
Best,
Nicky
(Project Manager, Humanities Commons) -
Karrieann Soto Vega deposited Sociocultural Affordances of Using a Musical/Multimodal/Multilingual Approach in a Puerto Rican/Transnational Composition Classroom in the group
Music on Humanities Commons 9 years agoThis article presents the results of implementing a musical/multimodal/multilingual pedagogical approach to foster literacy practices in an ESL composition classroom at the University of Puerto Rico-Mayagüez Campus. Based on the students’ written reflections, multimodal texts, and subsequent interviews, this qualitative research study hi…[Read more]
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Nicky Agate created the group
Music and Sound on Humanities Commons 9 years ago