Dieser Text soll auf drei Ebenen Fragen an die Quellen tragen. Erstens will ich versuchen, exemplarisch
Entwicklungslinien zwischen der antiken Provinzstruktur und dem bairischen Dukat
– einer militärisch-politischen Organisation nach spätantikem Muster – bis in karolingische Zeit
herauszuarbeiten. Zweitens soll die Frage gestellt werden, wie u…[Read more]

This chapter examines the ways in which the Linear B ‘extra’ signs – syllabograms which can in certain circumstances replace the ‘core’ signs of the Linear B syllabary – are often used as evidence for the process by which this writing system was created from its parent writing system, Linear A, and thus, by extension, for reconstructing aspects of…[Read more]

When engaging in the visual analysis and communication of cultural collections and other types of complex historical data, scholarly or public audiences rarely get to see their multidimensional richness. Commonly, visualization tools require analysts to selectively ‘cut’ into the complexity of the data to highlight and project particular asp…[Read more]

Transport stirrup jars – so-called because of the shape formed by their handles and false neck – are a common type of Mycenaean pottery: used to transport and store liquid commodities, usually assumed to be olive oil, they are found throughout the central and eastern Mediterranean. A small sub-group of these carry painted inscriptions in the Lin…[Read more]

Review of the most recent edition of Linear B inscriptions painted onto transport stirrup jars.

It is often claimed that the mortuary traditions that appeared in lowland Britain in the fifth century AD are an expression of new forms of ethnic identity, based on the putative memorialisation of a ‘Germanic’ heritage. This article considers the empirical basis for this assertion and evaluates it in the light of previously proposed ethnic con…[Read more]

The documentation of performing arts by means of databases is a challenging task for several reasons. Primarily, this has to do with the absence of a central, sizeable object that can be described and quantified. Any information collected in a database for performing arts thus seems to be of second order, paraphrasing what cannot be reproduced.…[Read more]

This chapter explains the process by which the Linear B writing system was deciphered and shown to record a form of the Greek language, discussing the contributions of Emmett L Bennett, Alice E. Kober, Michael Ventris, and John Chadwick.

More than 60 years after Michael Ventris’ decipherment of Linear B, 14 of its syllabic signs remain ‘undeciphered’: despite many proposals to assign sound-values to these signs, none has yet been officially accepted. This paper is based on part of a study investigating new approaches to these undeciphered signs: as signs which cannot yet be read…[Read more]

This article re-examines the evidence for the value of the Linear B sign pu2, in particular its appearance in the term da-pu2-ri-to- ‘labyrinth’, and demonstrates that it stands specifically for the value /phu/ (contrary to the usual assumption that it represents both /phu/ and /bu/). It then discusses the further implications of this con…[Read more]

This is the accepted version of the paper; the published version is available at doi.org/10.1075/wll.00025.jud (or by contacting me). This paper investigates the issue of orthographic variation in the Linear B writing system in order to explore ways in which studying a writing system’s orthographic conventions may shed light on the history of i…[Read more]

This is the paper I gave at the Public Archaeology Twitter Conference 5 (2020). The conference theme was public archaeology in lockdown. The paper is about my digital landscape archaeology intervention called #DailySarsen which began on 6 April 2020 during the Covid-19 emergency. It focusses on one specific sarsen stone in Wiltshire (UK) and takes…[Read more]

Das Bild von Wissenschaftlerinnen und Wissenschaftlern ist heute recht ambivalent und schwankt zwischen Heldinnen/Helden und Mad Scientists, nicht selten abhängig von der wissenschaftlichen Disziplin. Ausgehend von zwei Amateurarchäologen – Heinrich Schliemann und Ernst Boetticher –, die zudem aufgrund unterschiedlicher Deutungen einer archä…[Read more]

Historical and archaeological topics have been very popular for many years. This is witnessed by a variety of events and developments, as for example by time travel formats on television as well as by such performances at historic sites or at open-air museums. These historical performances and affective adoptions – bodily and sensual experiences t…[Read more]

This paper is a new examination of the original find context of the Saqqara lion tables (CG 1321–2) in ‘Gallery C’, an underground structure in the Step Pyramid complex. The substructure may date to the 1st millennium BCE, and this structure was likely part of an embalming complex for the Apis or other sacred animals. The adjacent Western Galle…[Read more]

The Egypt Exploration Society archive contains unpublished pencil drawings by A. Klasens of seal impressions found in the Step Pyramid complex of Saqqara. Digitally inked versions of these drawings are published here for the first time. The seal impressions can be sourced to the Northern Galleries of the complex. The impressions were sealed on…[Read more]

Mémoire de master : analyse spatiale de sites protohistoriques d’Istrie (Croatie).

Masters thesis on systematic field survey in archaeology (Part 3: bibliography and appendices)

Masters thesis on systematic field survey in archaeology (Part 2 : survey of Bujstina area, Istria (Croatia))

The goal of this paper is twofold: first to define “research data” in a humanities context through a discussion of the ways in which humanities researchers create and aggregate image collections, and second to address the processes by which academic libraries and information professionals can play an active role in supporting the treatment and per…[Read more]