The attached syllabus was written for my undergraduate seminar “Renaissance Media” (ENGL 281) taught Spring 2016 at UNC Chapel Hill. The learning objectives for the course were as follows:
“During this course, students will:
* learn the basic history and culture of media technologies in England during the early modern period (roughly 150…[Read more]

Abstract: This article poses a challenge to contemporary historicist tendency to silence significant semantic threads within Hamlet, attempts to restore our critical interest in the age-old problem of delay of the protagonist, and thus distinguish the text in itself from its historicised version. In doing so, my over-all argument proposes an…[Read more]

For close to two hundred years, the ideas of Shakespeare have inspired incredible work in the literature, fiction, theater, and cinema of China, Taiwan, and Hong Kong. From the novels of Lao She and Lin Shu to Lu Xun’s search for a Chinese “Shakespeare,” and from Feng Xiaogang’s martial arts films to labor camp memoirs, Soviet-Chinese theater,…[Read more]

Stemming from a culture of translation, Ninagawa’s interpretations of Shakespeare were nurtured by Japan’s rebirth and consolidation of its national identity after the war. His stage works thrive in the contentious space between cultures. In fact, the notion that ‘modern Japan is a culture of translation’ has been taken for granted by many Japanes…[Read more]

The age of global Shakespeare has arrived. It is an age in which national and transnational performances become self-conscious of the contact zone they inhabit, where dramatic meanings are co-determined by linguistic cohesion and pluralism. If Jacque Derrida’s theory of translation makes all writing inherently multilingual, Shakespeare as…[Read more]

What are digital video’s functions? How can those functions be best facilitated in the field of Shakespeare studies when the disciplinary boundary between text and performance is blurred by virtual performative texts? This article surveys the state of global Shakespeare and analyses the implications of digital video in scholarly and pedagogic practice.

Modern Chinese fiction dealing with cultural others can be taken as a lens through which to reread the cosmopolitan theory. At stake in the debate between communitarianism and liberalism are the viability of single cultural membership and its validity. Lao She’s Self-Sacrifice (1934) and Dr. Wen (1936-1937) question the viability of global c…[Read more]

At a time when Shakespeare is becoming increasingly globalized and diversified it is urgent more than ever to ask how this appropriated ‘Shakespeare’ constructs ethical value across cultural and other fault lines. Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.

At a time when Shakespeare is becoming increasingly globalized and diversified it is urgent more than ever to ask how this appropriated ‘Shakespeare’ constructs ethical value across cultural and other fault lines. Shakespeare and the Ethics of Appropriation is the first book to address the intersection of ethics, aesthetics, authority, and authenticity.

Shakespeare has become a boomerang business in the twenty-first century—a phenomenon that is fueled simultaneously by globalized local economic and cultural developments. His plays have been traveling the world since his lifetime and now returned to Britain with many different hats, making the familiar strange and bringing home the exotic. U.K. t…[Read more]

Būqālah refers both to a ceramic pitcher as well as to poems ritually embedded in the traditional, favorite, divinatory pastime associated with women city dwellers of specific Algerian towns such as Blida,Cherchell, Tlemcen, Constantine, and Algiers. This essay considers the shift from orality to a written archive of French and Algerian c…[Read more]

Touring theatre is a place where theatre studies and globalization come into contact. The year of 2012 was a year of global festivities in which Shakespeare’s works played a major part. Through their exemplary power, the intersections of world cultures and Shakespeare provide a set of important issues for repositioning theatre studies in the w…[Read more]

Touring theatre is a place where theatre studies and globalization come into contact. The year of 2012 was a year of global festivities in which Shakespeare’s works played a major part. Through their exemplary power, the intersections of world cultures and Shakespeare provide a set of important issues for repositioning theatre studies in the w…[Read more]

Although “fabulous” animals tend to be thought of as, say, unicorns, for early modern and medieval natural history, as well as the developed attention to gender and reproduction in twenty-first century science, the “fabulous” animal might be the one next door, like, say, squirrels.

In the year 1903 Manuel de Montoliu published the first Catalan version, in prose and poetry, of “La Vida Nova”, which meant an important stage within the history of pre-Raphaelitism and modernism in Catalonia. In this article the first Dantesque influences in the poetic production of the translator will be detected, the stage of preparation and…[Read more]

In the year 1903 Manuel de Montoliu published the first Catalan version, in prose and poetry, of “La Vida Nova”, which meant an important stage within the history of pre-Raphaelitism and modernism in Catalonia. In this article the first Dantesque influences in the poetic production of the translator will be detected, the stage of preparation and…[Read more]

attempt to bring the horrors of the indo-china war to the most intimate part of women, 1967, xuan loc, rvn