The essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.

The essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.

The essays I am posting on Humanities Commons are also on Librarything and Goodreads. These aren’t reviews. They are thoughts about the state of literary fiction, intended principally for writers and critics involved in seeing where literature might be able to go. Each one uses a book as an example of some current problem in writing.

7 page introduction to longer reconsideration of Hawthorne’s career in terms of his conflicted engagements with Patronage Discourse, emerging historiography, and the intersection of electro-magnetics, fashion, and artistic production.

As is usual in such things, argues that everyone else has read something wrong, the something here being…[Read more]

Kismet may not be the first Muslim superhero, but he may be the first worthy of that title. Some buffoonish characters preceded him, and other orientalist caricatures appeared on earlier comics pages, but without either superpowers or other key elements of the genre. This month (March 2014), on the seventieth anniversary of his first appearance,…[Read more]

This essay considers Ralph Ellison’s Invisible Man (1952) from the standpoint of its influential depiction of African Americans as automata. Through Ellison’s other writings, including his review of Gunnar Myrdal’s An American Dilemma (1944) and his unpublished drafts of Invisible Man, the essay links the political concerns of the novel with…[Read more]

Reading the representation of New York City in J.D. Robb’s/Nora Roberts’s sci-fi detective romance In Death series via Andrew Karmen’s critique of the 1990s’ New York crime wave/crash narrative pushed by Giuiliani and Bratton’s “broken windows” policing.

The claim that superhero comics culture is a modern religious and/ or mythopoeic expression has been repeated so often by academic observers of pop culture over the years, it has assumed the dimensions of a modern myth in its own right. Critically evaluating this claim that superhero comics culture is in effect a modern religious or mythopoeic…[Read more]

The beat generation has been examined as a social movement, literary period, and political statement from many different scholarly perspectives. Through the method of rhetorical criticism I tease out an implicit theory of rhetoric from the writings of the principal beat generation founders—namely Allen Ginsberg and Jack Kerouac. Offering a r…[Read more]

This essay explores the meaning of Kenneth Burke’s notion of the “poetic corrective” from his book Permanence and Change by examining the ideas of William Carlos Williams, a lifelong friend and frequent correspondent with Burke. Williams’s poetry is also examined as a potential model for the “poetic corrective,” which I suggest is what Burke might…[Read more]

Draft

Lecture/class notes on Modernism. I’m sharing my teaching notes (rough) for works that may be helpful to others and are widely taught.

Lecture/class notes on Margaret Atwood’s The Handmaid’s Tale. I’m sharing my teaching notes (rough) for works that may be helpful to others and are widely taught.

Lecture/class notes on Thoreau’s “Civil Disobedience.” I’m sharing my teaching notes (rough) for works that may be helpful to others and are widely taught.