“¿En qué idioma escribe Ud.?” (142) “In which language are you writing?” This question, that Juan Crisóstomo Ibarra, the protagonist of José Rizal’s novel Noli me tangere (1887), addresses to the old scholar Don Anastasio, better known as Tasio, is more than just an expression of curiosity when he sees the latter writing, of all things, hiero…[Read more]

Beginning with the renowned “Words to Intellectuals” (1961) delivered by Fidel Castro in the José Martí National Library and the creation of a state network of libraries, the library in Cuba was transformed into a cultural sphere saturated with ideological ambiguity. On the one hand, the library embodied the symbolic axis of the literacy campa…[Read more]

Ever since its introduction to China in the early twentieth century, spoken drama (huaju) has been at the forefront of social and political changes. Its realistic portrayal of life and use of spoken dialogue made it an ideal vehicle to promote social reforms and to serve politics. This study investigates the relationship between politics and…[Read more]

Alfred Uhry’s Pulitzer Prize winning play, Driving Miss Daisy (1986) is examined as a site of memory including: Uhry’s own memories upon which the characters and the play itself are based; the role of memory stories, settings and objects in the unfolding of the relationship be-tween its main characters, Daisy Wertham and her chauffeur, Hoke Col…[Read more]

Kafka’s Romanticism/Platonism is hidden underneath the covers. In this article I show how better translations can help the reader take the covers off the bed. Whether it be K.’s meeting with Buergel in the Castle or with the Josef K.’s meeting with the Priest in The Trial,
essentially the message resonates. A preview of ESSENTIAL KAFKA.

Commedia dell’Arte was the most influential and widespread theatre movement in sixteenth and early seventeenth-century Europe. A considerable part of its popularity can be accounted for by its comic representation of stressful occurrences within everyday life in early modern Europe, including in its representation of the period’s widespread dis…[Read more]

Just after the Second World War two Italian writers chose to look at the poetry of Joan Maragall. Montale’s version of the “Spiritual
Canto” has led to a variety of debates and interpretations, while the publication of a modest anthology of Catalan poets by Pasolini
remained unknown for a long time until rediscovered in the third mille…[Read more]

Drawing upon studies of media history and print culture, this article analyzes the relationship among early-nineteenth-century Latin American periodicals, literary institutions, and new experiences of time and history. Framing these periodicals as a new medium which boomed during and immediately after the wars of independence, it underscores their…[Read more]

Like other forms of treachery, translation can be either concealed or exposed. Though most literary translators work in the dark and some embrace invisibility as an ideal, all translations can be situated along the continuum of illusionist-anti-illusionist or domesticating-foreignizing. A variety of paratexts lay bare the devices of translation.…[Read more]